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Egypt Media Roundup (November 12)

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[This is a roundup of news articles and other materials circulating on Egypt and reflects a wide variety of opinions. It does not reflect the views of the Egypt Page Editors or of Jadaliyya. You may send your own recommendations for inclusion in each week's roundup to egypt@jadaliyya.com by Sunday night of every week.]    

“Who calls shots at Egypt's presidential palace, analysts ask”
Recent cancellation of plans to close businesses at 10pm shows that presidency faces challenges implementing its decisions.

“Egypt's prosecutor General not under investigation”
Prosecutor General denies allegations posted on the Muslim Brotherhood’s website that he was question by the Supreme Judicial Council

“Investigations launched into alleged terror cell leader”
Prosecution investigates man who allegedly has links to Ayman al-Zawahiri.

“Public prosecutor returns church land plot seized by Salafis”
Egyptian authorities return property to the Coptic Church in Shoubra El-Kheima after Salafis build mosque on it.

“Massive Friday protest in Egypt to demand implementing Islamic law”
The Muslim Brothers and members of the Salafi Al-Nour Party refuse to join the protest.

“Calm in Al-Arish after deployment of the army and security forces”
Army sends reinforcements after two violent incidents only days apart shake North Sinai.

“Vigil held for Copts”
Christians and Muslims hold a vigil after headquarters of the Coptic Church in Shobra El-Kheima stormed.

“Road blockages overwhelm governorates Tuesday”
Truck divers’ strike and protests against police violence block roads across the country.

“The Parallels Between the US and Egyptian Presidential Elections End Here”
Sarah El-Sirgany analyzes different responses in Egypt to the recent US presidential elections.

“Missing teenager found showing signs of torture”
A boy who suffered torture and rape at the hands of police in August, got abducted after threatening to reveal the names of the policemen who abused him.

“Kafr Al-Sheikh governor in the doghouse”
Protesters ask for Kafr Al-Sheikh governor’s resignation after a police dog incident left 3 people injured during a demonstration against the hiring of Muslim Brothers in the governorate administration.

“Visit the Pyramids while you can !!”
Zenobia talks about a radical sheikh who says Ancient Egyptian monuments, like the Pyramids and the Sphinx, have to be destroyed.

“Mohamed Morsi, the Muslim Brotherhood, and Why the Revolution Continues
Ami J. Abou-Bakr says the political victories of the Muslim Brotherhood need to be put into context in order to see that they lack overwhelming support in Egyptian society.

“Massive Rally for Shariah Law Divides Egypt’s Islamists”
Led by al-Gamaa al-Islamiya, the “Implementing Shariah” demonstration gathers a few thousand supporters but shows lack of unity among the conservatives in Egypt.

“Brute force: Inside the Central Security Forces”
A lengthy piece exploring the inner workings of one of Egypt’s notorious repressive apparatuses.

 

In Arabic:

“هل المرأة إنسان؟!”
Alaa Al-Aswany says sexual harassment is wide-spread in Egypt because the Egyptian woman has been dehumanized.

“مصادر أمنية: حملة موسعة لهدم الأنفاق بين مصر وغزة خلال أيام”
Egyptian army to destroy tunnels between Gaza and Egypt.

“بالصور..آيات قرآنية على الجرافيتى و"ماسبيرو" يعترضون”
Tension rises as participants in the demonstration calling for implementation of Sharia paint Quranic verses over graffiti in Mohamed Mahmoud St.

“مدير أمن شمال سيناء: نحارب «أشباحًا» وشخصيات لا نعرفها.. والوضع الأمني يتحسن”
The head of security for North Sinai says that troops are fighting an unknown enemy.

“استدعاء السيسي والعيسوى ووجدى للشهادة فى قضية «فرم مستندات أمن الدولة»”
The court calls the head of the army along with other top generals for a hearing in connection with the case against former State Security officials ordering the destruction of documents.

“مائة يوم من التعذيب”
Khalid Fahmy recalls the events surrounding the death of torture victim Essam Ata and points out that torture is still an accepted practice in police departments in Egypt.

“غلاة العلمانيَّة.. وتعطيل الدستور”
Khalid Al-Sharif accuses Egyptian secularists of being extreme and trying to impose their views on the Egyptian people.

 

Recent Jadaliyya articles on Egypt:

الأمة المصرية حين تفقد لغتها : لغة الرب أم لغة المستعمر؟
A book review of the translation of Niloofar Haeri’s book Sacred Language, Ordinary People: Dilemmas of Culture and Politics in Egypt.

The Scared Islamists And Their Frightened Majority
Mohamed Waked says the word “civil” has acquired a variety of meanings in Egyptian political vernacular which do not necessarily reflect political realities of the forces which are branded with it.


Cairo Event: PhotoCairo 5 "more out of curiosity than conviction" (14 Nov - 17 Dec 2012)

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Cairo Event:

Photo Cairo 5: more out of curiosity than conviction
14 Nov – 17 Dec 2012

Photo Cairo 5: more out of curiosity than conviction is a large-scale contemporary art project in Downtown Cairo.

Exhibition :

14 November-17 December 2012
Preview: 8pm, 14 November
Artists: Mohamed Abdelkarim, David Degner, Ahmed El Ghoneimy, Samir ElKordy, Saskia Holmkvist, Iman Issa, Hassan Khan, Basim Magdy, Elizabeth Price, André Romão, Ben Russell, Hanaa Safwat, Sarah Samy, Noura Seif, Mahmoud Tarek, and Sama Waly

Venues:
Townhouse Factory Space (information point)
Contemporary Image Collective (CIC)
Mahmoud Bassiouny st shopfront

PhotoCairo 5 is about ways in which reality is splintered and shifts of subjectivity are made. Involving international and local, emerging and established artists, this exhibition explores the ability of art to trigger affective responses within the viewer.

PhotoCairo 5 explores forces at play in reshaping reality, such as paranoia, the act of recognition, and altered states of consciousness. Bodies, materials and knowledges radically unreconciled to their political, architectural, institutional surroundings appear across the show: from the tale of a hysterical dancing spree near the site of the European Parliament, to an impossible monument to the revolution, and the absurd power dynamics of a re-enacted citizen's arrest gone wrong.

The project takes its title from a passing comment in Harun Farocki’s Videograms of a Revolution, in which existing footage of the Romanian revolution of 1989 is narrated with attention to the position and motivations of the person filming. The comment refers to the decision – more out of curiosity than conviction – of a state TV camera operator to ‘glance’ the camera sideways at an emerging protest, against instructions. Farocki’s treatment of the material calls attention to this gesture over the depicted event. If art is to handle 'revolutionary acts', here the camera operator's innocent curiosity and bodily uncertainty takes the place of grand representational gestures, yet crucially, allow us to witness the awakening of a radical reality.

Symposium:

17 November, Goethe Institut, Bustan St
Contributors: Mia Jankowicz; Angela Harutyunyan; Malak Helmy; Noura Seif, Mahmoud Tarek, Sarah Samy, and Sama Waly; Basim Magdy, Jasmina Metwaly, and May Al-Ibrashi; Hassan Khan.

Since early 2011, in common with many of their international colleagues, Egyptian artists have been subjects of a debate concerning their relationship to politics as artists, activists, or citizens.

This symposium aims to expand upon the oft-cited truism that it is nearly always 'too soon' to make art—not because this sentiment is not usually true, but because it tends to foreclose a reflection on what nevertheless goes on as a creative process in the exceptionally exciting 'too soon' moment anyway. Through examining this critically neglected space, and from a position of near-exhaustion, we might locate a link between the revolutionary moment and the artistic one.

Screening programmes:

Harun Farocki screening programme
24-28 TBC November, Beirut
Harun Farocki is a German filmmaker and artist best known for his experimental documentaries produced since 1969. In more than a hundred films and installations he draws our attention to the visible and invisible complexities of everyday life, consistently pushing formal boundaries with the persistent eye of a critical observer to raise questions dedicated to social coexistence, power relations, politics, the cruelty of warfare, and the growing dominance of capitalism. With his distinctive camera and montage techniques Farocki assesses the fabrication of perceptual habits and how it is altered by the advent of new technologies. In collaboration with Beirut, Cimatheque and the Goethe Institut, PhotoCairo 5 will present a series of screenings of Farocki's works. The recurring theme of labour is the subject of the long-term international research project "Labour In A Single Shot" started jointly with film critic and curator Antje Ehmann. It entails a series of filmmaking workshops, the most recent being Cairo, realised by Beirut in cooperation with CIC, Cimatheque and the Goethe Institutes in Cairo and Alexandria. The screening programme will segue the concerns of the workshop and PhotoCairo 5.

The Edge of the Image screening programme
5-11 December, Cimatheque
The Edge of the Image is a work in progress programme that observes the filmmaker's attempts to deal with the technological transitions of the medium throughout the history of cinematic language. Through five films and a discursive platform, and in the context of a time of larger transitions, this programme re-questions the transitional periods in cinema history, and investigates moments when the image has pushed its edge and risen up against its given boundaries.

Mentorship programme:

In keeping with the educational remit of many Egyptian art institutions, and with CIC's investment in peer mentoring in the last months, a number of artists are engaging in a process of peer mentoring in order to develop works specifically for PhotoCairo 5. Artist Doa Aly has mentored the artists Sara Samy, Noura Seif, Mahmoud Tarek, and Sama Waly. This process is also a form of research for Aly, who has been commissioned to write a text noting the tensions and issues of the formation of young artists; the process is a critically concentrated version of arguably the most successful way artists are 'trained': talking to other artists. The commissioned works can be found in the exhibition, and Doa Aly's text will be published alongside the PhotoCairo 5 catalogue in March 2013.

PhotoCairo 5 is dedicated to the memory of Shaymaa Sabra, beloved member of the CIC staff who passed away on 28 October 2012.

For more information see the PhotoCairo 5 Facebook page.

Cairo Event: In tribute to the history of studio photographic practice in Egypt: On Photography, at Studio Viennoise (14 November - 16 December 2012)

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Cairo Event:

In tribute to the history of studio photographic practice in Egypt: On Photography, at Studio Viennoise

14 November - 16 December 2012
(Soft Opening: 14 November at 7 pm. Closing event, “Finissage”: 16 December at 6 pm.)

7 Champollion Street, Downtown Cairo
Daily 11am to 8pm, until 10pm during events

Curated by Heba Farid and Paul Ayoub-Geday

[Photo by Selim Youssef]

On photography, at Studio Viennoise will look at selected historical examples and will touch on contemporary approaches to photographic studio practice.

Tributes to well known as well as forgotten photographers will be exhibited alongside oral histories (videos) describing the practices of some of the “Last Studios” and current practitioners. The state of the profession will be discussed through the juxtaposition of these works with that of contemporary practitioners and artists.

Questions of technique, style and the market will be discussed through the forms and mediums of the works exhibited, creating micro-climates and relationships between the works - archaeological and yet referencing contemporary practice.

The viewer will be invited to participate in the production of photographs through the ‘Living Studio’ (at Studio Viennoise); a working photographic studio that will host invited practitioners. Each photographer/artist will re-create their own practice, deciding their own form and medium, and will produce work that will be exhibited at the end of the exhibition.

The exhibition will open to the public starting Wednesday 14 November 2012 from 11am. Various talks, film screenings, master classes, and photo sessions with selected photographers/artists will take place throughout the duration of the exhibition (5 weeks).  A closing event, “Finissage,” followed by a reception will be held on Sunday 16 December 2012 at 6pm to present the production of the Living Studio.

[Photo by Selim Youssef.]

Exhibition sections:

- Studio Viennoise waiting room and working studio (the Living Studio)

- The Last Studios: From the last great studios of Cairo and Alexandria

- Oral histories: Video installations; Testimonies of practitioners

- Contemporary practices: How the profession reinvents itself

[Studio Bella, Kasr El Nil street, Cairo. Photo by Paul A-Geday.]

Tributes:

- Tributes to once famous but forgotten photographers: Photographs from collections

- Tribute to the Camera Mayya and the unknown photographer: Photographs from collections, documentary photographs, oral history, and artifacts

[Photo taken by a Camera Mayya in Alexandria. An example of a Camera Mayya is in the foreground.]

 

Check for program information and updates on the Facebook page.

Organized by the Photographic Memory of Egypt (PME) program at CULTNAT

Supported by the Office fédéral de la culture OFC, Musées et collections (CH), Bibliotheca Alexandrina, Center for Documentation of Cultural and Natural Heritage, Egypt (CULTNAT) and Ismaelia Real Estate.

Living Under Threat of Expulsion: Palestinian Women Photograph Life in Susiya Village

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These photographs were taken by women residents of Susiya village from the Nawaja family, ranging from teenagers to the elderly. Here are their names: Wadcha, Basma, Iman, Iam, Hitam, Ula, Rabicha, Samicha, Sane, Samma, Hadija, Sanaa, and Khitam.

In 2011, the women of Susiya documented their lives as a part of a participatory photography project conducted by Activestills photographer Keren Manor and guest photographer Mareike Lauken. This project was one of many activities of the village’s Creative and Learning Center.

The Palestinian West Bank village of Susiya is again under threat of demolition by Israeli government authorities. 

Around four-hundred people from forty-five shepherd and farmer families are living in the village, located in Area C (which is under Israeli military and civilian control) in the South Hebron Hills. They have lived in this region on a seasonal basis since at least the nineteenth century. In 1986, the Israeli Civil Administration expelled the residents of Susiya from their original village and declared the zone a national park within an archeological site, where the Jewish settlement of Susya was later built.

The Palestinian families re-established residence on part of the agricultural lands they own near their previous homes. In 2001, the Israeli army expelled the villagers from their lands for the second time, demolishing structures and damaging property. Although they were allowed to return, they have not been permitted to build any new structures. Building permit applications have all been denied.

According to the Israeli human rights organization B’Tselem,

since the expulsion of the village residents in 1986, the Civil Administration has not offered them an alternative place to live, nor prepared a building plan that would enable them to live legally on their lands. The Civil Administration refuses to connect the village to nearby water and electricity infrastructure that Israel built to serve the settlements and outposts, on the grounds that the village has no building plan. In 2011, the Civil Administration demolished fourteen structures in the village, among them ten residential tents in which 87 people lived, including thirty children. As the occupying power, Israel is obligated to act for the benefit and welfare of the residents of the occupied area. Israel is violating international law in not preparing a building plan for the village of Susiya while instead attempting to expel its residents.

On 12 June 2012, Israel’s Civil Administration distributed demolition orders to over fifty structures in the village, including residential and kitchen tents, a shop, a clinic, a community center, and solar panels. Appeals by the residents have been submitted. If the demolitions take place, this will be the third time Israel has tried to expel the residents of Susiya from their lands.

To see more photos from the project go to the Activestills story of Susiya.

For further information:

Susiya Demolition Orders Not Simply a Law Enforcement Issue (An op-ed by Eyal Hareuveni, first published 29 August, 2012 in the Jerusalem Post)

B'Tselem report: Civil Administration threatens to demolish most of Susiya village, 14 June, 2012.

Susiya Forever blog

“I Have the Picture!” Egypt’s Photographic Heritage between Digital Reproduction and Neoliberalism (Part I)

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Egypt has no sole institution devoted to the preservation and study of its 150-year-old photographic history. Instead, photographs lurk in multiple private and institutional collections across the country. Plagued by decades of decreasing budgets, institutional neglect, and excessive gate-keeping, photographic collections share the fate of the archival collections of which they are part: uncatalogued and uncared for, often unknown even to their custodians, they become easy victims of loss, destruction, and theft.

The state, academic community, and general public in Egypt mostly understand photographs to be “images of something.” Valued for their visual content and not as material objects embedded in social and cultural contexts. It is public knowledge that copyright is widely ignored in Egypt. But above and beyond the notion of legal ownership and authorship of a photograph, key information about the provenance of a given image is equally ignored, such as its creator, date of production, material properties, and source. Locally produced publications and, more recently, the web and Facebook overflow with vintage Egyptian photographs used as mere “images” -- orphans devoid of their materiality and original contexts.

But, in fact, widely diverging attitudes towards photographs and their value coexist in contemporary Egypt. Another view, especially in state institutions, undervalues photographs by portraying them as inferior historical documents. In other cases the materiality of a photograph occupies center stage in the process of assessing value. Cairo is the site of a vibrant and fully globalized market of vintage objects. Photographs represent an important part of this market and are much sought after by local and international collectors with prices sometimes rivaling those reached at international auctions. Indeed, that is where many photographs from Egypt end up. In yet other contexts, digital scans of photographs are traded and overvalued for their assumed evidentiary value. The Dar al-Hilal archive, for example, is known to have asked for exorbitant sums of money to allow researchers to simply see their photographic collections. Some collectors refuse to show their photographs to researchers while some dealers sell scans of old photos to private institutional collectors.

Assigning some objects value in one part of the world (or in certain contexts) but little or no value in another part of the world (or in other contexts) results in a unidirectional flow of artifacts . It also allows for claims of cultural superiority, in the form of “better knowledge,” flowing the opposite direction. Such a situation is not reducible to an East-West binary. Claims of providing “proper” care for Egyptian photographs (or for historical material in general) are mobilized equally among Egyptian actors eager to prove their nationalist credentials, and international funders, and often hide wider issues of a contest for power. The ambiguous terrain between seeing photographs as material objects and photographs as mere images may then be used to serve the interests of particular local or international actors, whether consciously or not.

A growing number of local and international actors claim that Egyptian (and more generally Middle Eastern) photographic heritage needs “saving.” For most local actors, the “failure of the state” remains a powerful paradigm for framing efforts to conserve this heritage. The situation in Egypt is thus cast as a drama: there is neglect and there is destruction (with the occasional murder), and there are heroic saviors.

The Alexandria Library

The Library of Alexandria positions itself as the key actor in saving Egypt’s cultural heritage. A Mubarak-era mega-project, the Library’s construction and running budget is financed by foreign funding, especially UNESCO and a number of foreign governments and private donors. The Library has an impressive reputation in Egypt and abroad through its combination of high-tech features [http://descegy.bibalex.org/index1.html], which offer digitally processed heritage for the delectation of local and international publics. Due to its combination of foreign expertise and local management outside of the state administration, it is much cherished by Egyptian middle class publics as a “new hope” for Egypt’s “Culture.” While the corruption of its administration has been subject to much media coverage (most recently in this article on Jadaliyya), what goes on below the surface is, in many ways, more serious.  

The Library’s aura of worldliness, expertise, and overfunding translates into substantial assets vis-a-vis other domestic actors. It has allowed it to become a powerful player in the field of acquisitions and to lay its hands on underfunded local public institutions and archives in the city, whose collections the Library takes over in order to “save” them. The Library’s aggressive acquisitions policy is known and felt on the market, and acknowledged by its own management.

But photographs as physical objects, as depository holdings, are nowhere to be found. The Library catalogues and shows books, periodicals, and manuscripts. Other kinds of depository holdings are acknowledged in digital form only on the Library’s flagship online database called “Memory of Modern Egypt.”

The database turns all currently held principles of archiving, preserving, cataloguing, digitizing, and digital-database-making upside down. Memory of Modern Egypt consists of arbitrary categories, in which individual entries display mere images, carriers of visual information deprived of materiality (medium, size, technique) and context of creation (author, provenance, source, or current holder).

Take, for instance, the photograph of a woman in a studio setting described as “The wife of Amin Yusuf Bek” [Figure 1]. This is as much as we are ever told. The provenance (masdar) line in the description field (the rectangle that opens over the image once we click on “details”) simply states, “Library of Alexandria.” In a similar vein, dozens of cartoons and ads under the category “press” are described and catalogued under their subject (the person or theme of the cartoon, or the product in the ad) without stating the author where appropriate, the publication, or date originally published [Figure 2]. Entries are often badly scanned and wrongly labeled. Thus a photo labeled “The Old Cairo-Helouan Road” in the original (unacknowledged) publication, here in the database becomes “Old Cairo” (Al-Qahira al-Qadima) which refers to an entirely different place [Figure 3].

[Figure 1. "The Wife of Amin Yusuf Bek." Source: Memory of Modern Egypt website.]

 

[Figure 2. "A Cartoon Drawing of Kamil al-Shennawi." Source: Memory of Modern Egypt webite.]

 

[Figure 3. "Al-Qahira al-Qadima." Source: Memory of Modern Egypt website.] 

The entries also do not necessarily refer to any physical referent. In some cases they originate as scans of the Library’s actual holdings, in other cases they are scans from (unacknowledged) books, or simply copied from the web. Thus a well-known painting by the Scottish artist David Wilkie held by the Tate in London appears in this database under the entry “Muhammad ‘Ali” [Figure 4]. The line for “author” says “unknown”; the “date” gives us the life of Muhammad ‘Ali, and the “source” we get is, again, “Library of Alexandria.”

[Figure 4. Muhammad 'Ali Pasha. Source: Memory of Modern Egypt website.] 

Withholding essential information, mislabeling, and claiming all entries as the property of “Library of Alexandria” is entirely consistent with the logic of understanding physical objects as mere images, and treating them as data. Such orphaned images remain utterly useless for research. As data they refer to nothing but themselves and the arbitrary categories of the database. At the same time, it remains impossible to locate the actual physical collections that the Library is known to have collected.

One would think that a botched database would devalue its institution. But not in this case, where heritage is understood numerically as data. While individual artifacts might be devalued and even destroyed, the overall political value of the Library’s project remains untouched or even enhanced for its two key interlocutors: the global markets for cultural funding as well as, importantly, domestic middle class publics who view the library as an alternative to failed state curatorship of their heritage. Criticizing the Library’s database is really not the point. Researchers are emphatically not its intended audience. The database was designed, and is managed, by informatics specialists.

To understand what (the hell) the Library of Alexandria is doing with its acquisitions, then, we have to exit the archive and examine the powerful interests that sustain the project as a whole. While one of these interests is now history—former president Mubarak’s self-positioning on the international scene as a source of tolerance and enlightenment in the region and embodied in the sphere of culture by developmentalist projects forcefully presided over by his wife, Suzanne—the other two are more resilient, and they work in tandem. One is the already mentioned infatuation of the Egyptian middle class with the Library’s project. The other powerful interest is UNESCO. Since WWII, UNESCO has positioned itself as the champion and protector of “universal cultural heritage.” As it happens, the city of Alexandria plays a central role in this narrative. Its ancient past is cast as Europe’s mythical origin, a cradle of universalism and cosmopolitanism. The notion of “universal human culture,” for which the West functions as the savior and guardian, is obviously problematic due to its colonial origins and multifarious neo-colonial uses. Historically, the claim of a universal human culture has had as its nemesis nation-based notions of culture.

The Library of Alexandria’s model is politically and culturally powerful because it allows for an illusion of a “third way” between the two compromised paradigms of caring for cultural heritage, the colonial and the nationalist. From UNESCO’s perspective, the care for universal cultural heritage is here entrusted into local hands. These local elites strongly identify with the concept of universal cultural heritage. With a perception of themselves as both cosmopolitan and liberal, often in opposition to nationalist and religion-based notions of culture and identity, they understand their role as bringing “culture” to other Egyptians. Such elites play the double role of being “native Egyptian” towards their western interlocutors (in this case, sources of funding) as well as being “internationalist” or “global” towards the local scene, something that gives them no small amount of social and cultural authority. (This same logic applies to the Arab Image Foundation discussed in Part II of this essay, forthcoming.)

Egyptian curatorial elites who currently define what is considered “heritage” maintain their authority through powerful foreign funding and are supported by a host of developmentalist and civilizational narratives. The specific practice of “heritage-making” that they put in place then allows them to exploit the ambiguity between photographs-as-images and photographs-as-objects to their own advantage. Egyptian middle class publics and cultural elites are willing to accept the kind of digitally processed “heritage” served to them by the Library of Alexandria while in fact those who serve them this heritage are well aware of the difference between the value of the material artifact and its digital copy. While the Library’s database treats photographs (and other historical artifacts) as mere images devoid of any material identity, some of the Library’s top administrators are collectors, long-term participants in the global market with vintage objects. Seen from this perspective, the Library of Alexandria appears as a black hole for artifacts. In a society inclined and encouraged to value photographs (and other historical material) for their content only, as mere carriers of visual information, digitalization enables new avenues for theft by making material objects literally invisible and practically superfluous. There are precedents for thinking the worst. Photographs originating from institutional archives in Egypt routinely appear on the private market, eventually enriching largely inaccessible private collections.

Archiving initiatives and concepts of photographic heritage currently emerging in the Middle East are shaped in very different ways than was the case over the past century. They are conceived along the lines of two models. One is a digitization model, as seen in the Library of Alexandria, which destroys artifacts in order to produce data. The second, which will be discussed in Part II of this essay, is a model of neoliberal fiefdoms where photographic heritage becomes the privilege of the select few. In both cases, public interest, in the form of open access, and research interests—the two aspects that framed public archives throughout the twentieth century—remain strikingly absent.[1]



[1] Parts of this research were conducted in cooperation with CULNAT; my thanks to Heba Farid and Clare Davies.  My understanding of the role of UNESCO in the Alexandria Library’s project is much indebted to Beverly Butler’s Return to Alexandria (Left Coast Press, 2007). For further reading on Egyptian photographic history see Maria Golia, Photography and Egypt (Reaktion Books, 2009).

 

Imagining Tahrir

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I.

Egyptians saw themselves for the first time through their own eyes in Cairo’s Tahrir Square in January and February 2011, and reveled in that encounter. Participating in and recording that experience was to become part of the consciousness of a community that was ready to move heaven and earth to restructure Egyptian society for the better.

The consciousness was individual in that it established one person’s experience among the crowd, it was moral because recording everything became imperative for a community working so hard to sustain itself and build a new society. And it was collective. No one refused to be in a photograph or a video before the “Battle of the Camel” on 2 February brought infiltrators and thus suspicion into Tahrir. People often sought out the cameras because we felt – as the Salah Jaheen/Abdul Halim song declared every day – that we were part of the same picture, that divisions within Egyptian society mattered less than the ties that bound people together in that community. (To photograph on the streets of Cairo like this before 28 January would have met with a hostile response). That collective consciousness also asserted itself through the internet as individuals and the groups they formed then and there uploaded material to show the world the who, what, why and how of Tahrir, and to motivate fellow Egyptians to come down and join them.

The consciousness of Tahrir intertwined with image, sound and word in a cathartic expression of dizzying proportions. Uneven in focus, low-resolution, super-fast, choppy, and artless to the extreme, ranging from the mundane to the heroic: in that stream-of-consciousness material a powerful sense of wonder and discovery and of being there emerges.

The amount of recorded data is so enormous that all attempts to gather and organize it have failed. This material comes from innumerable and rival sources – for everyone who owned a mobile phone used it to record something of those first eighteen days. In this material – scattered throughout the four corners of the country – lies the collective memory of the revolution.

II.

The center of world events for a short time, Tahrir also captured center stage in the international media. Photographers, journalists and camera crews parachuted in from everywhere. The televised revolution these professionals produced was telegenic. It consisted of 1) a simplified, visually coherent story of easily recognizable good guys and bad guys, 2) courageous, attractive, industrious, and well-spoken protestors, 3) violence turned into spectacle (fighting and bloodshed without any of the pain), and 4) correspondents who take risks to bring you the news. The revolution had a neat beginning and a neat end. End of story. Everyone goes home, except for the locals who are still living through the fallout.

The professional photographers were conspicuous in Tahrir because they usually carried the largest, most sophisticated cameras, and often more than one. They produced those hi-res, sharp, colorful, stop-action images that the world saw almost immediately. They worked hard to play substitute for our eyes.

They came from everywhere. They competed intensely to get the most exciting shots. They sought the best vantage points from above, or from within the action, and they took risks that some demonstrators would not. I met an articulate freelance photographer from Japan who knew nothing about Egypt but knew that Tahrir would get him published. A French camera crew that had just arrived wanted to photograph and interview those bloggers who had already appeared in the French media. They did not have time to look around and explore. Most revealing was that so many of the photographers I met already had a good sense of the photos they hoped to make – as if they were working from a prepared visual script: as if the unfolding of the actual events was secondary. Almost none of them spoke Arabic.

These photojournalists could very well have cared about the protestors and the future of Egypt. The point is entirely irrelevant to their raison d’etre and modus operandi. They are the foot soldiers of the mainstream media – an international system of visual management. News is a bureaucratic process in which the photographer provides raw material for the finished product – a visual façade that shows us day in and day out that the only drama in life stems from the dramatic: revolution, war, famine, natural and man-made disasters, spectacular discoveries and incredible athletic feats.

Technological developments have taken our eyes to the heavens, the depths of the oceans, the heart of matter, and the infra-red and ultra-violet spectra. Even to that oxymoron, night vision. We even see through disembodied cameras. We see more, but less introspectively. We are rarely able to see beyond the precisely controlled façade that surrounds us. The façade has convinced us, through the realism of photographic images, that they are a shortcut to the truth -- and that there is nothing else worth seeing.

III.

Late evening, 28 January 2011, the southern border of Tahrir along the Mugamma: The fighting here continued long into the night, long after I had any energy to give. I did not photograph the clashes, the courage, recklessness and restraint of the demonstrators, the injured and the suffocating. I did not know what I could do with a camera: not yet, perhaps not ever, certainly not during. When I sat down to rest, it dawned on me that my first photos would focus on this Interior Ministry stronghold and hub of bureaucratic coercion. I had been harassed and warned umpteen times by hardcore security personnel that photography was prohibited here – even though I never considered it – over the last twenty years. This would become my very personal revolt in the wider revolution.

In fact, I have been photographing the revolution for twenty years. The daily struggle of the average Egyptian has underpinned my portraiture. Bread! Freedom! Social Justice! The main slogan of the revolution is at the center of that struggle. My portraits in Tahrir are the tip of an iceberg. In them you will not find outright references to political protest precisely because the long revolution unfolds at a pace and in forms that the media are unable to recognize or represent.

My photography suggests (and the revolution confirms) that the Egypt we have been presented with is a preconceived projection – whether in the nineteenth-century photography of Maxime du Camp, through today’s (state-controlled or international) media, or the tourism industry. Photographs merely added an aura of truth to that illusion.

I photograph in order to see for myself, to try to see through the façade, and thus to deepen my own understanding of the world. I rarely leave Egypt to do this because discoveries are just around the corner – if you look carefully, if you elicit photos rather than produce them, if you are willing to interact instead of just observe, and if you are willing to seek and tease out rhythms in life that do not appear as soon as you show up with a camera. My work suggests that there is plenty of drama in daily life, that photographs can depict human encounters based on solidarity, and that they can plumb more than the immediate moment.

Photographing in Tahrir Square was a new challenge. Time compressed and things happened too fast, but since everyone was using a camera, no one was about to arrest me for photographing the Mugamma. With the withdrawal of the security apparatus and the establishment of a community, the taboo against photographing strangers (and anything other than a glossy touristic scene) evaporated and hostility toward photographers disappeared for a while. People were coming toward me for once, people who once would have regarded me with initial suspicion. No matter from what walk of life, Egyptians were proud and wanted to record their newly discovered sense of citizenship. Young men – Egypt’s greatest abandoned human resource– found self-respect not based on swagger and bravado, but on their willingness to protect the square at the cost of their lives. In turn they earned the respect and gratitude of everyone in Tahrir. But all in all, it took me too long to make sense of these changes - I had internalized the taboos, especially that of photographing unrelated women.

The future is collaboration. Across culture, social class, and gender. We all see the Arab world – including most of us who live here – through the occupied territories that the media have made of our eyes. Only together, through an expanded sense of ourselves, by exploring the world that we are all complicit in making and by acknowledging the pain we have caused others, can we create a better world. That was the promise of Tahrir for eighteen amazing days.

The Swallows of Syria

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Somaya left Homs, Syria after finding the corpse of her tortured son in a sewage ditch. Zaynab escaped with her family when she discovered that Syrian soldiers kidnapped, raped, and killed three of her schoolmates. Aziza fled after snipers killed both her husband and sister-in-law.

Thousands of other Syrian women like them have escaped to Lebanon and are hiding in small villages within a few kilometers of the border, at the mercy of Hezbollah and secret service agents allied with the Assad regime. Far from the safety of the refugee camps in Turkey, here, Syrian women live in constant fear of being kidnapped or killed. Frightened that registering with the UN will make them vulnerable to a potentially hostile Lebanese government, these women hide in filthy basements and makeshift tents while consuming their last meager savings to barely survive in a country that doesn't want them.

Ignored by the Lebanese government, which refuses to recognize them as refugees, they cannot work and raise money for their families. While local Lebanese families initially host some of them, they soon must look for a place to rent. Separated from their relatives and friends, and unable to send their kids to school, some are even starting to question the outcome of the Syrian revolution, regretting the peaceful life they used to live before the Arab Spring.

I collected the personal stories and pictures of more than twenty Syrian women, and recorded their feelings of grief, bitterness, and hope for the future of their country. All of them are face-covered to protect their safety.

"قراءة نقدية في مفهوم ''أوروبا المسيحية

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لدى تناول موضوع أوروبا وفهمها لذاتها وبخاصةٍ لدى تناول قيمها، يبقى الحديث عن أوروبا "المسيحية" شائعًا وبشكل واسعٍ، وكما يبدو على نحوٍ متزايدٍ، أو تتم الإشارة على الأقل إلى جذورها المسيحية ويجري الإصرار على الطابع المسيحي الناتج عن ذلك. بيد أنَّ الاستقامة السياسية تقتضي حظر استخدام كلمة "مسيحي" في هذا السياق على نحو حصري، لذا تسارع أصوات حسنة النية جدًا إلى الحديث بدلاً عن ذلك عن تقاليد مسيحيةٍ-يهوديةٍ أو عن التراث اليهودي-المسيحي في أوروبا، ولكن هذا لا يبدل في خطأ الفهم كثيرا.

إنما على العكس من ذلك تمامًا، حيث إنَّ نظرةً فاحصةً ماحصةً إلى الحديث عن التقاليد المسيحية-اليهودية أو عن التراث اليهودي-المسيحي في أوروبا تبيِّن بسرعة كبيرة جدًا أنَّ في الحديث مناورةً مكشوفة، فأولئك الذين يطلقون أعلى الأصوات التي تنادي بالتقاليد المسيحية-اليهودية في أوروبا، يقومون بذلك عادةً لتحقيق هدفٍ واحدٍ هو استبعاد الإسلام والتأكيد على عدم انتمائه إلى أوروبا عبر تأصيل الأمر بالتعريف.

هذا وقد كان مسار انتشار المسيحية في أوروبا تاريخيًا عملية طويلة وشاقة اتسمت بتعرجات و"نكسات" متكررة رافقتها على مدى أكثر من ألف عام. ولم يكتمل تنصير أوروبا في الواقع قط أو لم يكن قد اكتمل من قبل، ففي الوقت الذي جرى فيه طرد المسلمين بصورةٍ نهائيةٍ من شبه الجزيرة الأَيْبِيرِيّة وتمَّ دفع "آخر الكفار في أوروبا" من الليتوانيين في الشرق إلى اعتناق المسيحية (القرن الرابع عشر والخامس عشر)، كان الإسلام قد طفق منذ فترة طويلة في الانتشار مجددًا من الشرق ومن الجنوب الشرقي في منطقة البلقان، وكان له أن يبقى حاضرًا هناك بصورةٍ دائمة، ولم يختلف الأمر في أواسط وشرق أوروبا (ليتوانيا، بولندا، روسيا البيضاء) عن منطقة البلقان. حتى وإنْ كانت أعدادٌ كبيرة ٌمن المسلمين تُشكل جزءا من سكان أوروبا وبشكل لا يقبل الجدل ولا جدال فيه، وذلك في الماضي كما في يومنا هذا، إلا أنَّ الإسلام لا ينتمي وفقًا لوجهة النظر آنفة الذكر إلى أوروبا إنما يشكل عمليًا نقيضًا لها.

معاداة اليهود والمسلمين

  

["تقاليد أوروبا يهودية – مسيحية"؟ إنَّ نظرةً إلى كتب التاريخ تدحض هذه الفرضية وتُبيِّن أنَّ ذلك مجرد افتراض خيالي. رغم ذلك تستمر الفكرة المهيمنة القائلة بتآمر اليهود والمسلمين على المسيحيين والمسيحية.]

تبيِّن نظرة إلى كتب التاريخ أنَّ مقولة أوروبا اليهودية-المسيحية من الناحية التاريخية ليست أكثر من فرضية خيالية. ويصعب الحديث عن تقاليد يهودية-مسيحية، فمنذ القرن السابع والمجامع الكنسية تعلن باستمرار عن أنَّ اليهود غير مرغوبٍ بهم في "أوروبا المسيحية" وبالتالي اعتبرتهم أشخاصًا مرفوضين وبالتالي طردتهم منذ العصور الوسطى وبخاصةٍ من الدول الأوروبية الغربية.

وقد عرَّفت أوروبا المسيحية نفسها منذ البداية على أنها ضد اليهود وتابعت بذلك استراتيجية العزل والإقصاء تجاه اليهودية التي ارتسمت من الجانب اللاهوتي في العهد الجديد وفي النصوص المسيحية الأولى من خلال مُدوَّنة ثيودوسيانوس Codex Theodosianus وهي مجموعة قانونية (من عام 438) وكذلك من خلال المجموعة التي تعرف بـ"مُدوَّنة يوستنيانوس" Codex Justinianus (من عام 529) التي أدرجت بعد ذلك ضمن القوانين السارية المفعول، التي تـُشكّل الأساس القانوني لما يتعلق باليهود في تاريخ القانون الأوروبي، الذي تبلور بدوره وبرز إلى حيز الوجود بالشكل الذي عانى منه اليهود في أوروبا.

وقد وثّق هينتس شرِكنبرغ Heinz Schreckenberg بالنصوص والصور الأسس اللاهوتية-الفلسفية وكذلك تصاميمها الفنية بالتفصيل في عملٍ شمل أربعة مجلداتٍ حول النصوص المسيحية المعادية لليهود التي سببت عداءً متواصلاً لهم على مدى فترات طويلة من التاريخ الأوروبي. إنَّ الملاحقات التي لا حصر لها وعمليات طرد وترحيل اليهود من البلاد الأوروبية المسيحية منذ العصور الوسطى وحتى استبعادَهم من المجتمعات الأوروبية في العصر الحديث، تثبت في النهاية مدى قلة توافق فكرة أوروبا المسيحية مع وجود اليهود في أوروبا. وبالتأكيد لا يدحض ذلك بعض الحالات الفردية من اليهود الذين برزوا في مجال الاقتصاد أو السياسة أو الاجتماع.

نظرية المؤامرة

[أسطورة "أوروبا المسيحية": كان مسار انتشار المسيحية في أوروبا من الناحية التاريخية عملية طويلة وشاقة استمرت أكثر من ألف عام اتسمت بتعرجات و"نكسات" متكررة. الصورة ليان تسيشكي/ ويكيبيديا)]

على وقع التقدم السريع للمسلمين في بلدان شمال إفريقيا التي كانت مسيحية في البداية والتي سرعان ما تحولت إلى الإسلام، اتهم مجمع توليدو الكنسي السابع عشر (في عام 694) اليهود وبالعمالة والتآمر "مع يهود من بلدان أجنبية ومع أمم أخرى (أي المسلمين)" ضد المسيحية. وفي هذا السياق يمكن أنْ نقرأ أحيانًا حتى يومنا أنَّ طارق بن زياد قائد الجيش العربي الذي بدأ في تموز/يوليو 711 غزو اسبانيا واستطاع إنجاز السيطرة عليها في غضون ثلاث سنوات فقط، بأنه كان يهوديًا اعتنق الإسلام.

أحد الإجراءات التي كانت بمثابة التأكيد على نظرية المؤامرة هذه في وقت لاحق، هو المرسوم الذي قضى بإبعاد اليهود عن إسبانيا في الحادي والثلاثين من آذار/مارس 1492، والذي ربط طرد اليهود بطرد المسلمين عبر اعتماد التالي: عندما يتوجب على هؤلاء مغادرة البلد، فلا بد للآخرين (المسلمين) من فعل ذلك أيضًا، بمعنى أنه على المتحالفين معهم أنْ يلحقوا بهم.

علاوة على ذلك تستمر الفكرة المهيمنة القائلة بتآمر اليهود والمسلمين على المسيحيين والمسيحية منذ الخلافات المسيحية-اليهودية الأولى وعبر تاريخ حملات هجوم المسيحية المعادية لليهود والمعادية للإسلام من العصور الوسطى وحتى العصور الحديثة. لذلك لم يكُن مفاجئًا أنْ يتضمن التحريض المسيحي المعادي للإسلام حتى العصور الحديثة ذات "الحجج" الموجودة في الحرب التحريض المسيحي المعادي لليهودية، لا بل أنَّ مصطلحي "اليهود" و "المسلمون" قد تحولا إلى مصطلحين يمكن استبدالهما ببعضهما البعض.

هذه الرؤية دفعت بالمناسبة كل من ألان هـ. كاتلر وهيلين إ. كاتلر Allan H. Cutler و Helen E. Cutler إلى القول بأنَّ المسيحية المعادية لليهودية والعداء المسيحي لليهود في العصور الوسطى ومطلع العصور الحديثة كانت من حيث الجوهر عداءً لأفكار الإسلام في الواقع، أو نشأت على أية حال من عداء المسيحيين للإسلام والمسلمين في نهاية المطاف وبمعاملتهم أسوةً باليهود المتحالفين معهم وبالتالي إنزال العقاب بهم بالنيابة عن حلفائهم.

جذور التنوير يهودية-عربية

تبقى بلا شك حقيقة أنَّ أوروبا، وعلى وجه الخصوص أوروبا اليوم، لا تدين بالرغم من ذلك للإرث المسيحي وحسب، بل أنها تشكلت وتأثرت في تاريخها (وحتى اليوم) إلى جانب تأثرها بالإرث اليوناني-الروماني القديم بشكل واسع باليهود والعرب، كما اتسمت كذلك بوضوح واستدامة بالإرث الذي قدمه اليهود والمسلمون من خلال الحضارة الإسلامية، وفي بعض البلدان الأوروبية لا يتواجد المسلمون (إلى جانب اليهود) منذ قرون وحتى يومنا هذا وحسب، إنما يشكلون أيضًا جزءا من تاريخ هذه البلدان وينتمون إلى مجتمعاتها (إلى جانب روسيا هناك على وجه الخصوص ليتوانيا وبولندا ومنطقة جنوب غرب البلقان.)

هكذا احتفل المسلمون في ليتوانيا بعيد ميلادهم الست مائة، أي بالذكرى السنوية الست مائة لمنحهم الامتياز العام من قِبَلِ الدوق فيتاوتاس ويتولد Vytautas-Witołd، الذي لم يضمن لهم فقط حق الإقامة والوجود في ليتوانيا، إنما رسَّم هذا الحق في الوقت نفسه للعيش بشكل لا محدود (usque ad infinitum) هناك باعتبارهم مسلمين وجنبا إلى جنب مع الطوائف الدينية الأخرى، وبقي هؤلاء على المذهب السنّي (والمدرسة الفقهية الحنفية) حتى الآن.

 [يُحذِّر المفتي العام للبوسنة والهرسك الدكتور مصطفى تسيريتش من النظر إلى الإسلام على الدوام باعتباره دين المهاجرين.]

وبدأ مسلمو البوسنة على نحو مماثل في الثامن والعشرين من تموز/يوليو 2007 بالاحتفال بعيد ميلادهم الست مائة وأكّدوا بذلك على أنهم ليسوا فقط موجودين منذ قرونٍ في أوروبا، بل على أنهم يشكلون جزءًا من المجتمع البوسني وأنهم من صناع تاريخ هذا البلد.

ويؤكد المفتي العام للبوسنة والهرسك الدكتور مصطفى تسيريتش بالإشارة إلى هذا التاريخ بحق على أنه خطأ من الناحية التاريخية وحذَّر من أنَّ نتائجه خطيرة من الناحية السياسية، عندما يُنظر إلى الإسلام على الدوام باعتباره دين المهاجرين فقط ويجري نسيان وكبت حقيقة وجود إسلام أوروبي يعتنقه السكان الأصليون، لا سيما "مسلمو البلقان"، وهم "أوربيون قدماء وليسوا مهاجرين" كما يكتب تيموثي غارتون آش Timothy Garton Ash.

لا بد من التأكيد على هذا إزاء المقتنعين بالفرضية الخيالية القائلة بأنَّ أوروبا "مسيحية" أو على الأقل بأنها "يهودية-مسيحية" بغية إقصاء المسلمين من خلال التعريف، وكذلك إزاء أولئك الذين يرون أنَّ طبيعة الإسلام لا تتوافق في الأساس مع الفكرة الأوروبية ومع القيم الأوروبية ويتمسكون بدلًا من ذلك بـ "صورة الإسلام العدو"، التي أصبحت في الواقع منذ فترةٍ طويلةٍ صورة ًقديمة ًجديدةً لعدو وهمي يتمثل بالإسلام.

الإسلام جزء من أوروبا

يصعب تصوُّر أوروبا "المسيحية" دون جذورها اليهودية والإسلامية بجانب الجذور الكلاسيكية اليونانية-الرومانية القديمة، ولسوف تبقى أوروبا المسيحية بالمعنى المتداول اليوم وبالمصطلح الذي يجري فهمه واستخدامه على نحو واسع مجرد افتراض خيالي، كما كان الأمر دائمًا.

وكما كانت أوروبا في الماضي تتشكل وتتأثر بشكلٍ متبادلٍ وتتسم بشكلٍ مستدام بالنقاشات الخلّاقة عبر الديانات السماوية الثلاث (حتى أنْ طرد اليهود والمسلمين لم يعنِ انتهاء دور اليهودية والإسلامية)، لن يتسنى تشكيل أوروبا في المستقبل إلا عبر تعاون الديانات الإبراهيمية الثلاث. 

[نشر هذا المقال للمرة الأولى على موقع "قنطرة" باللغة الألمانية وترجمه إلى العربية يوسف حجازي. "جدلية" تعيد نشره بالإتفاق مع الموقع.]


Jadaliyya Launches Photography Page

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With this bouquet of articles and photo essays, Jadaliyya is hereby launching a Photography Page. The Photography Page aims to provide a space for reflection on photography in its various forms and uses in the Middle East. We showcase the work of photographers active in the region and cultivate critical thinking about photographic practices, representations, and history. The page publishes photo essays, articles, interviews, reviews and more. It also provides information on photographic archives, agencies, and institutions, exhibits, events, and publications.

Submissions to the Photography Page are welcome at photos@Jadaliyya.com. Here are our launching posts for the photography page:

Imagining Tahrir
by Yasser Alwan

"I Have the Picture!" Egypt's Photgraphic Heritage Between Digital Reproduction and Neoliberalism (Part I)
by Lucie Ryzova

Living Under Threat of Expulsion: Palestinian Women Photograph Life in Susiya Village
by Activestills Collective

Also be sure to check out these two upcoming photography events:

In Tribute to The History of Studio Photographic Practice in Egypt: On Photography, at Studio Viennoise
(Cairo, 14 November - 16 December 2012)

Photo Cairo 5: More Out of Curiosity than Conviction 
(Cairo 14 November – 17 December 2012)

DAM: Crime, Honor, and Hip-Hop

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Palestinian rap trio DAM dropped their latest video “If I Could Go Back in Time” a week ago at a press conference in Ramallah. Working in cooperation with UN Women, the subject of the song is domestic violence and crimes against women. With this release, DAM members Mahmoud Jreri, Suhell Nafar, and Tamer Nafar affirm their reputation as audacious socially-conscious rappers by continuing to take on tabboo issues in Palestinian society. They do so through hip-hop, whose mainstream stars are all too often themselves guilty of propagating intensely sexist and homophobic content. In so doing, DAM are contributing to transforming hip-hop into a safe space for women and women’s issues domestically while breaking the social silence surrounding controversial socio-political topics and offering an opening salvo in an indigenous conversation about internal problems.

Male and female rappers have used their music to confront misogyny, especially against Black and Brown women. Angel Haze, for example, attacks rape culture in her raw and powerful song “Cleaning Out My Closet,” in which she documents and shares her own history with rape and abuse. The genre remains a medium that is particularly well-suited for rebellious political messaging, for both men and women, given its in New York’s impoverished communities, its flexibility as a form of storytelling, and the ease with which it can be produced and distributed. Angela Martinez Dy/El Dia, a “queer-identified woman of color spoken word artist” says that the genre of hip-hop has always been her medium of choice to “order the chaos” in her head. She writes:

Hip-hop is one of those rare forms of expression with the unique quality of being both mesmerizing and easily memorized. It is this quality behind its broad appeal, and its accessibility is what makes it one of the most versatile and reliable methods of mass communication available to those who desire social justice.  To illustrate, hip-hop has grown organically in some of the most impoverished and war-torn communities in the world today, including Somalia and Palestine.

Hip-hop has become the global music of dissenting youth, enabling communities the world over to adapt it to their local artistic practice as well as their socio-political circumstances. Palestinian emcees use hip-hop to produce and distribute political and social messages which criticizes the Israeli occupation, and simultaneously turns inward to challenge internal Palestinian problems, including patriarchy. DAM's latest release, a courageous forging into a suppressed topic, tells the story of a young woman who resists a decision that her family makes on her behalf. She ultimately pays the price with her life. Among the Palestinian women involved in this project are Amal Murkus, who sang the chorus and is featured in the video, and Jacqueline Reem Salloum, who directed the video.

The story of the song is that of a single heroine whose experiences relayed in the video unfold in reverse chronology, from end to beginning, thereby interrupting the linear temporal convention. The first scene shows her lifeless body, immediately followed, in reverse, by the bullet retreating from her head and back into her brother's gun. The audience pieces the violent narrative together as both the video and the lyrics work backward through time to tell the full story of her murder. The chorus is an interruption of the story that showcases singer Amal Murkus singing in the presence of other women in a place that is the dead protagonist's posthumous utopian fantasyscape. The women merrily and smilingly participate in various playful creative activities such as knitting and drawing, to Murkus’ words as she laments the life she did not live:

If I could go back in time
I would smile, Fall in love, Sing
If I could go back in time
I would draw, Write, Sing.

Beginning the story with the murder is an intriguing choice as it mimic the way in which we encounter such crimes in the news; the stories always begin with the discovery of the murder itself, then goes on to tell who murdered the woman and what the perpetrator stated as his reason. Akin to most news reports on such incidents, the story then continues to unfold in reverse. According to the press release companying the video, the choice to work backwards through the story is a matter of slowly revealing that the violence against the heroine in this video is largely a result of her being born a girl. Describing her birth, Tamer of DAM says:

Their expressions filled with anger as if someone announced a crime
“Congratulations, it’s a girl”
The beginning.

These final words indicate that her problems started when she was born into a family that considered her gender to be a misfortunate, a tragedy. It is a matter of larger social concern and an implication that girls are considered less desirable than boys, which in turn stigmatizes girls both inside and outside of their families. The final scene of the video features the heroine pitching the words al-huriyyah untha (“freedom is a woman,” ironically pointing out that the word freedom in Arabic is itself feminine). When a black screen appears at the very end, it reads “There is no link between killing women and honor. Murder is a crime. Say no—unite to end violence against women.”

["If I Could Go Back in Time"--DAM's latest music video]

As Arab women and men break the silence by addressing controversial social issues, they interrupt prevalent ideas around these issues in the Arab world. In addition, whether intentionally or not, they also reclaim these conversations and take them back from the Western gaze. This is an external gaze which frequently uses violence against women in Arab societies to “other” the Arab world, further entrenching strong negative sentiments towards the region and its peoples.

On the contrary, the local and indigenous discussion of domestic violence and crimes against women among Palestinians forces society to seriously address the issue at hand. It does so by complicating the false reductionist binary that positions the Arab woman as perpetual victim and the Arab man as perpetual perpetrator. Oversimplifying tragic social phenomena, like crimes against women, is as dangerous as silencing them altogether. While the latter encourages social actors to pretend that the tragedy does not exist, the former hinders progress towards honest conversations and therefore curbs tackling the problem.

The most poignant example in which DAM presents a more complicated picture is the mother’s complicity in the crime against her daughter. She excitedly delivers the news of her daughter's pending marriage and participates in pressuring her into it. The video also implies that she may have served as the informant for the father and brother: she told them about her daughter’s decision to flee the country. The extent of the mother’s complicity is entirely unclear. However, suffice it to say that she both participates in and is a victim of patriarchy. After all, patriarchy may privilege men over women, but men do not have a monopoly over it. This shifts the paradigm from a “men vs. women” dichotomy that paints Arab men as perpetrators of crimes against women, to one in which women as well as men participate in upholding the patriarchal social structure. By extension, the opposite is also true, as both women and men work to resist it.

Men have a great stake in the issue of crimes against women. When we dig deeper into crimes against women we find that it is not a matter of men hating women. Rather it constitutes a greater issue of power, patriarchy, and masculinity. Therefore, the humanity of men and society at large, are both under threat as long as domestic violence and so-called “honor killings” continue to exist. (I have so far refrained from calling crimes against women “honor crimes,” and only did so here for the purpose of clarification). Yet male artists have often stirred controversy when handling gender issues. Most significantly their contributions lack male accountability, and oftentimes include a condescending masculine formulation of what they deem acceptable and unacceptable female behaviors.

This, for example, was the greatest criticism of Lupe Fiasco's “Bitch Bad.” The song, which takes on the use of the term “bitch,” created a conversation around this issue, and indeed brought it to the surface. It attempted to interrupt some of the increasingly misogynistic themes and language of mainstream contemporary hip-hop. However, women felt that Fiasco could have, and should have, discussed male ownership over and interaction with the term "bitch." Reasonably so, many believed that he lost a valuable opportunity to produce a sound critique by engaging too strongly in admonishing women, including mothers, girlfriends, and little girls.

DAM handle the conversation differently. While complex in its own right, DAM's task is not as complicated as Fiasco's. Fiasco deals with the definition of a term and the ways in which women and men utilize it and interact with it--the conversation is a more abstract etymological one. While words can be violent and oftentimes can normalize violence against women, crimes against women are violent in the sense that they cause direct bodily harm. DAM address the existence of these crimes within a social climate which may perceive them at least as possible, and in some cases as acceptable.

Crimes against women in Palestinian law carry fewer penalties than regular crimes if a man can prove that he committed violence (even murder) against a female relative as a crime of passion, particularly if he catches her engaging in an illicit act. Article 340 of the Jordanian Penal Code of 1960 is enforced in the West Bank (which is rooted in French and Ottoman law) and Article 18 of the British Mandatory Law is enforced in Gaza. In May 2010 Mahmoud Abbas, the president of the Palestinian Authority, suspended these laws but left other tenets in place that also reduce punishments against perpetrators of crimes against women. According to women’s groups that participated in the video release, between January and August 2012, twelve women were murdered in the West Bank by members of their families.

DAM make no excuses in the song and video--neither for the family, nor the society, nor the law. They tell the story of a woman who is killed by her brother with the complicity of her father, and possibly her mother. They state in their lyrics that she has little room for resistance (remember to read this story from end to beginning):

It’s the first time in her life that she says “NO!”
Her mom announces happily “tomorrow you will marry your cousin”
If I look through the album of her life
I won’t see a photo of her standing up for her rights

Finally, by revealing that the ultimate crime committed by this young woman is that she was born a female, DAM redirect the guilt of this crime from her family alone to the problematic societal perception of girls and women. That particular incident was not the one that condemned her to death at the hands of her family, it was patriarchy. If it hadn’t been that incident, it would have been another. Therefore, a patriarchal social structure that discriminates against women is precisely what DAM set out to confront. They do this successfully.

In this hip-hop critique of gender-based discrimination, the male artists use their privilege as men in a conservative society to begin the conversation. In fact, female Palestinian rappers have also used their music to confront gender issues, but have faced backlash. For example, rapper Abeer Alzinaty, aka Sabreena da Witch’s cousins threatened her with physical violence for wanting to go on tour with other Palestinian rappers. Despite that she continued to work on two fronts: exposing Israel’s discrimination against its Palestinian citizens while critiquing and confronting patriarchy within Palestinian society.

The male members of DAM recognize their privilege and have spoken about it in songs from their previous album. In the track “Al-Huriyyah Untha” (“Freedom for my Sisters/Freedom is a Woman”) from their 2007 album “Dedication,” DAM member Tamer Nafar says:

We all see it, what is forbidden to me, is forbidden to her
What is allowed to me, is forbidden to her. Then what is
Allowed for her?! Well, the word ‘allowed’ does not appear in her dictionary
She puts us on our feet and we just step on her rights.

In these lyrics, Nafar implicated himself along with other Palestinian men for participating in the discrimination against women. The words “al-huriyyah untha” that the little girl arranges in the open field at the very end of DAM’s latest video allude directly to this 2007 song. However, “If I Could Go Bank in Time” is different in that DAM do not implicate themselves personally in the crime that they depict in the song. Instead, they do implicate male and female members of families who have committed crimes against women; and they implicate social values that prize boys over girls, then frame this discrimination as taboo. As Palestinian men, they make a plea to other Palestinian men, and women, to speak about gender-based violence.

When three Palestinian men tackle crimes against women in a hip-hop song, they break the narrative of a simple oppressor-oppressed binary that erects stubborn male-female boundaries. In fact, this is a more complicated social problem that places men in all roles (perpetrator and victim) and women in all roles (perpetrator and victim). With this video, DAM break the silence about crimes against women, they re-appropriate hip-hop as an art form that is ripe for protest, and they burst open the terrain for an urgent conversation about Palestinian societal ills. While the misogyny of mainstream rap continues, these rappers, among others, have turned the tool often accused of furthering the oppression of women into an instrument to combat it. 

Why Not Jordan?

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The November 13 withdrawal of fuel and electricity subsidies has sparked vigorous demonstrations in Jordan, prompting renewed speculation about whether the wave of Arab uprisings that began in late 2010 has finally arrived in the Hashemite Kingdom. Indeed, amidst the rush of scholarly attempts to explain why uprisings did or did not occur in various Arab countries in 2011, Jordan is proving a stubborn case. Jordan fits nearly all the criteria for an uprising, but sustained protest has yet to take root.

If social media and Internet access drove the revolts, then Jordan should have already had an upheaval, for it ranks well ahead of Egypt and Libya and is comparable to Tunisia in Internet penetration. Some have argued that the building blocks of protest were increases in literacy rates and average number of years of schooling. Yet from 1980 to 2010, Jordan ranked ahead of Egypt and Tunisia in rate of increase in years of schooling (see p. 169 of Filipe R. Campante and Davin Chor, “Why Was the Arab World Poised for Revolution?”). Maybe, as some economists have argued, declining socio-economic opportunities spread the spirit of rebellion. If so, then, again, Jordan should have seen a revolt, as it suffers from some of the Arab world’s highest rates of aggregate unemployment, youth unemployment and underemployment compared to educational achievement (again as noted by Campane and Chor). In Jordan, as elsewhere, neoliberal reforms failed, wages stagnated and inequality rose.

What about the corruption that so animated popular anger across the region? Jordan arguably stands at the head of this line as well, with no shortage of open accusations of royal corruptionand the involvement of numerous government officials in suspicious development projects. Recent corruption investigations are widely perceived as picking the low-hanging fruit while the juiciest goes untouched.

Egypt’s long history of protest is credited with paving the way to 2011 there, but Jordanian society has hardly been quiescent, especially since 1989. Another popular candidate for social scientists trying to explain why some countries witnessed mass uprising and others did not is regime type. So, setting aside the Bahraini case, it is said that monarchies experienced no sustained protest while the republican regimes succumbed. As the argument goes, monarchy may impart advantages, say, special claims to authority or direct family control of political institutions, that help to discourage the unrest that overthrew presidents in Egypt and Tunisia. For most observers of Jordanian politics, however, the Hashemites’ claim to authority is at best deeply contested; the Hashemites in no way operate like the larger, corporate ruling families of the Gulf. Few, outside Washington perhaps, credit King ‘Abdallah II with much leadership skill.

So why no uprising in Jordan? One answer is that what started in 2011 may not be over, regardless of the outcome of the current demonstrations. For the last year the Jordanian ruling class and society have been on edge, precisely because of many of the factors listed above. The almost comical turnover of cabinets, four since February 2011, is expressive of these tensions. Prior to the November 13 cuts, officials had announced slashes to fuel and electricity subsidies (costing over 6 percent of GDP), and then pulled back at the last minute, hardly suggested a crafty regime in secure control. Still, few are predicting an outbreak of sustained protest. Weekly Amman demonstrations by what Jordanian writer Hisham Bustani terms the “alternative opposition” draw only a few hundred participants and remain isolated. The Islamic Action Front has put many more people in the streets on occasion, but failed to follow through or to articulate the revolutionary demands that emerged elsewhere in the region.

A second answer recognizes that revolutionary moments are highly contingent. While Jordan may share the structural attributes of the Arab uprisings, the intangibles seem to be missing. Historically, successful challenges to authoritarian rule require cross-cutting social alliances that converge to become unstoppable forces. Something has to galvanize those alliances. In Tunisia, Egypt and Syria, there were discrete cases of state abuse of youths -- Mohamed Bouazizi, Khalid Sa‘id, the graffiti-scrawling teens in Dir‘a -- whose fates ended up vitally important to many people other than their immediate families. Sympathy carries political power.

As yet, there has been no such spark in Jordan in 2011. Certainly, there is no shortage of people abused by Jordanian authorities, but the very deep divisions within Jordanian society and political movements seem to have impeded the evolution of broader linkages. Of course, these divisions do not well up from some foundational political culture; the Hashemite regime has cultivated them assiduously. And that is why the simple East Bank/Palestinian divide so often employed to explain all things Jordanian is insufficient. These identities are themselves subdivided by class, region and place of origin.

So what about chances for an uprising in the near future? Here there are grounds for pessimism.

For one, there are negative examples. The spread of protest in 2011, as in Eastern Europe in the late 1980s, unfolded as one society demonstrated possibilities to others. Opposition movements could model their strategies after the successes of their neighbors. Today, the opposite dynamic is at work. The turmoil in Libya, Syria and Bahrain stands as a warning to prospective protesters; the more “positive” examples of Tunisia or Egypt now seem like a distant dream. Moreover, the threat of spillover from violence among Jordan’s neighbors, Palestine, Iraq, and now Syria, only seems to deliver short term economic boosts allowing the regime to muddle through.

Then there is the US role. Washington’s goal is to preserve the status quo, whereby Jordan is a “safe zone” in a sea of unrest. Over the last decade, the US Embassy in Amman has embedded itself in Jordanian politics to an unprecedented degree, even helping to write the country’s draft income tax law in 2009, according to USAID Fiscal Reform Project officials I interviewed in Amman in May. Former CIA director George Tenet was not making an idle boast when he said (as related in Bob Woodward’s State of Denial) that “we created” the Government Intelligence Directorate, Jordan’s fearsome security service, “and now we own it.” The US Army has maintained a low-profile base in the country for some years and, according to the New York Timesanother US base, ostensibly to support Jordan’s handling of Syrian refugees, has now been opened. Finally, there is the county’s extreme dependence on external revenue flows mediated by Washington and its Gulf allies.

It’s no wonder, then, that in public opinion polling conducted by the University of Jordan’s Center for Strategic Studies in 2008, Jordanians ranked the US as the third most important obstacle to democracy in Jordan. Those same polls showed an average of 75 percent of respondents feared criticizing their own government. No matter how hapless the Hashemite regime may appear, very weighty interests have its back.

[This article was originally published on the Middle East Research and Information Project Blog.]

غزة "القلعة الأخيرة"والأولى

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أتذكر في خضم الأحداث الثورية في مصر، كنت دائماً أميل لفكرة التصعيد على حساب التسليح التي راجت بين شباب الثورة المصرية رداً على توحش العسكر والداخلية وتحديداً في فترات محمد محمود وأحداث مجلس الوزراء والعباسية. والفارق بين التصعيد والتسليح فارق كبير من حيث مخزون الردع/التدمير في المواجهات، فالتصعيد لا يشترط أن يكون بالسلاح المركب "المعقد"، قد يكون التصعيد هو وسيلة لتعطيل مخزون الردع/التدمير الخاص بسلاح الطرف الآخر كالبندقية وقنابل الغاز مثلاً مما يفقده أفضليتها الميدانية، مثال ذلك في الثورة كان جلياً من "الخل" والمشروبات الغازية وصولاً إلى الكمامات والدروع و"شبك" الحماية على الأعين لتعطيل فاعلية صائدي الأعين من ضباط الداخلية، في حين أن التسليح مواجهة السلاح بسلاح، وهو ماقد لا يتقبله البعض لأنه يرادف بين القتلة والوسائل.

إن تلك الفروقات التي قد تبدو لمعايير القياس المادي الرادع غير متكافئة ومحسومة، قد رجحت كفة الثوار في مواجهة الدولة لفترة كافية لم تنته بإنتصار الثوار ميدانياً ولكنها عرت هزيمة الدولة ثورياً. والمواجهة الميدانية لا تحسمها أبداً قوة السلاح، وهذا مايشهد به التاريخ الإنساني، فمدينة ستالينغراد التي طال حصار النازي لها لدرجة أن بدأ سكانها يأكلون جيف موتاهم هزمت بأبسط السبل عنجهية وقوة هتلر، كذلك كانت المقاومة الجزائرية في وجه الإستعمار، كذلك ثورة اللاتينية، وفيتنام وهزيمة الأمريكي، وحرب تموز الإسرائيلية على لبنان، وصولاً إلى النموذج الحضاري الأهم في تاريخنا الحديث: الإنتفاضة و"غزة" 
الأبية. 

غزة التي يقدم الإعلام مقاومتها على أنها مقاومة "صفيح" لا تسمن ولا تغني من جوع، متجاهلين تاريخا إنسانياً قال ويقول دوماً : "ما إنهزم من قال لا"، أو كما وصفها مهدي عامل "لم تهزم مادمت مقاوماً"، فالقوة لا تقاس بمخزونها الرادع/التدميري، أي حجم ما تحدثه من تدمير/تعطيل، فالبندقية في بد المحتل هي ذاتها في يد المقاوم، بل وقد تحرمه منها الإتفاقيات الدولية وسياسات "الممكن والمتاح" ، فما الفارق إذن؟

القوة ليست في البندقية أو الحجر، بل في القيمة التي يمثلها كل منهما، وهو ما يعرف في علوم الإستراتيجيا والحرب "المخزون المعنوي/القيمي"، تلك القيمة التي تدافع عنها البندقية ويذود عنها الحجر والصفيح من عدل وحرية وحق وغيرها من القيم التي لا تقاس بمادة ولا برقم إنما يدركها الإنسان بحسه الجمالي القيمي، وعلاقتها مع الظلم والإحتلال والقتل علاقة محسومة، ومن هنا كانت العقلية المقاومة متقدمة أخلاقياً وفكرياً وقيمياً عن المحتل والغاصب، مما شكل لها هامش إبداع أكبر، ولنا في عز الدين الخطابي وفيتنام نماذج ذات دلالة توارثها أدب المقاومة، إلا أن أدل دليل على هزيمة الدولة والاحتلال أمام المقاومة كانت صواريخ المقاومة في غزة الأبية وأنفاقها.

تلك الصواريخ والأنفاق التي أبقت جبين "أفقر بقاع الأرض" و"أكثرها نكبة" بالحصارالصهيوني (والعربي) عالياً غير مختزل في لقمة العيش والمادة والحاجة والفاقة ، فلغزة المقاومة كما الطعام والشراب والكهرباء إحتياج لا مقايضة فيه، فالحرية في غزة فعل يومي، على عكس مدنن عربية كثيرة.

إن صواريخ المقاومة في غزة على تعدد تياراتها من يمين ويسار، تكشف للأذهان العربية أن إمتلاك "أوراق اللعبة" (99.9% من أوراق اللعبة في يد أمريكا: السادات) لا يعني إمتلاك المصائر، إلا لمن لا مصير له. وهنا مربط الفرس، فغزة لا تقاوم ضد إحتلال فقط، ولكنها تلقي بصواريخها (الكورنيت وغيرها) مهما كان تركيبها بسيطاً بدائياً، في الذهن العربي عموماً و تعيد إلى الأذهان أن الفجيعة العربية ليست في الإحتلال، ولكن في الوكالة عنه والإنبطاح له بإسم "الممكن والمتاح" السياسي، تلك هي عين الهزيمة. فقد بات على المقاومة الفلسطينية – وتحديداً الغزية - بعد إختراق وأسرلة المكان والوعي الفلسطيني في الضفة والمنافي، مهمة لا تقل ثقلاً، بل باتت مهمة تحرر مضاعف في ظل خفة الوطن في عقول النخب السياسية الفلسطينية: تحرير الوعي الفلسطيني، الذي بات يصف المقاومة إرهاباً لأن فلسطين بالنسبة له ليست مكانه ولامصيره، ليقتل الشهيد في بلادنا مرتين، والنكبة نكبتين.

أتذكر فيلماً أمريكياً إنتاج عام 2001 بعنوان "القلعة الأخيرة" من بطولة المخضرم روبرت ريدفورد وتأليف ديفيد سكاربا وإخراج المخرج (الإسرائيلي) رود لوري، يحكي إنتفاضة يقوم بها سجناء سجن عسكري عُرف مأموره بالعنف والقتل، مستخدمين أبسط الوسائل (من أدوات الطعام إلى الحجارة)، للسيطرة على السجن، وقد كان ... ولكن هذا الفيلم لا يعد شيئاً في علوم الإتساتيجيا أمام المشهد الملحمي للشاب المصري يقف بصدره أمام مدرعة الأمن المركزي في 28 يناير المعروف بـ"جمعة الغضب"، كذلك هي غزة، تقف أمامنا منتصبة كاللغة في زمن الخرس  تنشد كلمات محمود درويش بحروف من ملح:

"من هنا تكون غزة تجارة خاسرة للسماسرة ومن هنا تكون كنزاً معنوياً وأخلاقياً لايقدر لكل العرب. ومن جمال غزة أن أصواتنا لا تصل إليها، لا شيء يشغلها، لا شيء يدير قبضتها عن وجه العدو، لا أشكال الحكم في الدولة الفلسطينية التي سننشؤها على الجانب الشرقي من القمر، أو على الجانب الغربي من المريخ حين يتم إكتشافه. إنها منكبة على الرفض ..."
 

Tadween Publishing Joins The Jadaliyya Community Today

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Tadween Publishing is a new kind of publishing house that seeks to institutionalize a new form of knowledge production. A subsidiary of the Arab Studies InstituteTadween aims both to publish critical texts and to interrogate the existing processes and frameworks through which knowledge is produced. Specifically, Tadween is dedicated to four fundamental goals:

  • To join the current that challenges the monopoly of the mainstream publishing world by expanding and deepening the notion of what is publication-worthy;
  • To offer readers thoroughly interactive products that bring the benefits of technology to refined scholarship and other significant texts;
  • To focus on pedagogy by attending to the way texts and other forms of produced knowledge best make their way into a classroom; and
  • To contribute to a new kind of knowledge production—and knowledge—on the Middle East and beyond.

We will publish in Arabic, English, and French, and there will be no restrictions on region or topic.

 

New Forms of Publishable Knowledge

Tadween aims to challenge the barriers, boundaries, and preconcieved notions of the mainstream publishing world. At the same time, it aims to elevate the standards of nontraditional media publishing by upholing the peer-review standards applied to traditional scholarship. Each submission, irrespective of its nature and form, will undergo thorough internal vetting before it is submitted to a rigorous peer-review process that involves at least two external reviewers. As a new kind of publishing house that incorporates new forms of media and knowledge-production mechanisms as they evolve, Tadween aspires to help influence the publishing world.

Interactivity With Purpose

Increasingly, knowledge consumers, particularly the new generations, access and process knowledge differently, and are stimulated by a variety of media that did not exist until recently. Tadween seeks not only to join the world of interactive knowledge production, but to do so in an intellectually responsible manner. We recognize that the mechanisms and mediums through which knowledge is accessed, processed, disseminated, and appropriated are not neutral: they impinge on content and message. Tadween’s print publications will thus serve as a gateway into further multifaceted research, bringing together a variety of media forms in a way that facilitates engagement with a subject in all its complexity and depth.

Pedagogy and the Classroom

In expanding the realm of publishable knowledge, Tadween emphasizes its products' pedagogical dimension. Not all publications are equally amenable to a classroom, but most Tadween texts will have teachable and research aspects that will be deliberated in the production process. Tadween's aim to combine the best of scholarship, technology, and creative output is geared toward the purpose of creating more engaging texts, both for students and researchers/educators. 

Knowledge Production Project

Finally, Tadween will be the primary vehicle for the dissemination of the fruits of theArab Studies Institute’s Knowledge Production Project (KPP). This eight-year project aims at gathering/mining, organizing, and analyzing knowledge produced on the Middle East, primarily in the English-speaking world, since 1979. The KPP will create six databases that catalog all peer-reviewed articles on the region, all books, and a variety of other print, visual, and online sources of knowledge, including think-tank policy papers, films, and websites. Tadween will publish the statistical and analytical products associated with this project. 

KPP was born from the understanding that the knowledge on the Middle East that exists in the public realm, particularly in the United States, does not reflect natural distribution of what needs to be known and that knowledge production is a thoroughly nonneutral and politicized process in which power relations, paradigm bias, and funding play a dramatically disproportionate part. While this insight is not new, it will be newly supported by KPP's near-comprehensive and meticulous evidentiary base, whose uses cannot all be determined in advance—but we do anticipate that most such uses will contribute to a less problematic knowledge production process in the future.

Tadween (تدوين) means “to document” in Arabic.

Visit our Arabic section here.
 


 


TADWEEN EDITORIAL BOARD

Osama Abi-Mershed 
Lila Abu-Lughod
Hussein `Agrama 
Madawi Al-Rasheed 
Abdelrahim Al Shaikh 
Talal Asad 
Asef Bayat
Wendy Brown
Jason Brownley
Ahmad Dallal
Rochelle Davis 
Samera Esmeir
Arang Keshavarzian
Saba Mahmood 
Mahmood Mamdani 
Khalid Medani 
Timothy Mitchell 
Roger Owen
Vijay Prashad
Fawaz Trabulsi
Cihan Tugal 
Lisa Wedeen
 

 

TADWEEN STAFF

 

Founding Editor
Bassam Haddad

Arabic Editor
Sinan Antoon

Managing Editor 
Nehad Khader

Publications Coordinator 
Thomas Sullivan

Copy-Editors 
Kaylan Geiger, Allison Brown

Last Week on Jadaliyya (Nov 12-18)

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This is a selection of what you might have missed on Jadaliyya last week. It also includes a list of the most read articles.  Progressively, we will be featuring more content on our "Last Week on Jadaliyya" series.  

Noura Erakat and Yousef Munayyer on Gaza Assault: Interview with MSNBC's Chris Hayes

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In a repetition of its aerial and ground offensive in Winter 2008/09, Israel has once again embarked on a military campaign against the Palestinian population in Gaza. This assault comes just after US Presidential elections and just before Israel's Parliamentary elections. Israel claims that its objective is to diminish Hamas's military capacity, yet most analysts attribute the war to PM Netanyahu's domestic electoral considerations. The latest round of armed force began on November 8, when an Israeli bullet killed a 13-year old boy playing soccer. Palestinian fighters responded with force by blowing up a tunnel on the Gaza-Israeli border, injuring one soldier. The exchange of fire reached its apex when Israel assassinated Ahmad Ja'abari, the head of Hamas's military wing, as he reportedly reviewed the terms of an Egyptian-brokered ceasefire with Israel. Since then, Israel's assault has escalated and caused significant destruction and casualties. As of Monday, 19 November, the fifth day of Israel's aerial offensive, 102 Palestinians had been killed. Rocket fire from Gaza killed three Israelis.

On Sunday morning, Jadaliyya co-editor Noura Erakat, together with the Palestine Center's Executive Director Yousef Munnayyar, joined Chris Hayes on his MSNBC program, "UP With Chris Hayes" to discuss these latest developments. The program also featured David Frum, former economic speechwriter for George W. Bush, and Noam Sheizaf, independent journalist and editor presently with +972 Magazine. The program is unique for hosting two Palestinians with a critical perspective on the Palestinian-Israel prolonged conflict and thus marks a  shift, or an anomaly, in the American mainstream media cycle. Erakat and Munnayyar emphasized the structural issues underpinning the conflict, including a lack of accountability for Israeli aggression, the ongoing military occupation and siege of Gaza, as well as emphasizing the asymmetry between the Palestinian people and the Israeli State. It is included below in four parts (Time-code marked for Jadaliyya Co-Editor interventions above video).

[Significant highlight occurs at 5:45 when Noura Erakat questions David Frum on illegal Israeli settlements in Part 3]



 


O.I.L. Media Roundup (19 November)

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[This is a roundup of news articles and other materials circulating on Occupation, Intervention, and Law and reflects a wide variety of opinions. It does not reflect the views of the O.I.L. Page Editors or of Jadaliyya. You may send your own recommendations for inclusion in each biweekly roundup to OIL@jadaliyya.com by Monday night of every other week]

 
News

"Israel Pounds Gaza Strip from Air and Sea," Al-Jazeera English
Al-Jazeera English provides an overview of the first five days of Israel's assault on the Gaza Strip, Hamas' response, the political responses on both sides, and Egypt's involvement in the conflict. 

"Blogger is Dead After Being Arrested in Iran," UN Press Release
Sattar Beheshti, an Iranian who blogged about human rights and politics, has died while in detention by the Iranian government. Irinia Bokova, the Director-General of UNESCO, expresses concern with the circumstances of his death, particularly that Beheshti's body showed signs of violence, and calls for a full investigation.

"Gaza Crisis: Egyptians Back Under-Fire Palestinians," BBC News
President Mohammed Mursi has condemned Israel's Operation Pillar of Cloud, calling it "blatant aggression against humanity" and sending Prime Minister Hisham Qandil to visit and show solidarity with Gaza.

"YouTube Refuses to Yank Israeli Kill Video as Hamas Attacks Jerusalem," Noah Schachtman
Schachtman, of Wired''s Danger Room blog, reports on Israel's targeted killing of Ahmed al-Jabari and the fallout of the operation on the internet, including efforts by both the Israeli and Palestinian side to generate sympathy to their view of the conflict. Schachtman also reports on YouTube's refusal to remove an IDF-posted video of aerial footage of the assassination.  

"Dunford Sees Some U.S. Forces in Afghanistan Post-Drawdown," Anne Gearan
Marine Gen. Joseph Dunford, recently picked by the Obama Administration to succeed Gen. John R. Allen as the commander of US and NATO troops in Afghanistan, argued for keeping American forces and equipment in Afghanistan after the Administration's current exit date of 2014 in an "advisory role."

"Hamas finds greater support in a changed Middle East," Abigail Hauslohner
Hauslohner reports for The Washington Post that many Middle Eastern governments previously loathe to lend support to Hamas--including Egypt, Turkey, and Tunisia--have become a "new set of highly influential friends" to the group as violence in the Gaza Strip escalates.

"Mistaken Lull, Simple Errand, Death in Gaza," Judi Rudoren and Fares Akram
Rudoren and Akram of The New York Times interview the families of a number of victims of Israel's assault on Gaza and report on Al Shifa's efforts to treat the hundreds of Palestinians wounded and newfound status as a "place to show solidarity."  
 

Commentary

"I lost my daughters in Gaza last time. Surely the bloodshed has to end," Izzeldin Abuelaish
Abuelaish, a Palestinian doctor who lost three daughters in Operation Cast Lead, criticizes Israel's preparation for a possible ground invasion as "avoiding responsibility" rather than "self-defense", and writes that for both Israel and Hamas, "it's time to face reality: military means and violence will never put an end to this conflict."

"Reformatting Palestine," Max Ajl
Ajl of Jacobin Magazine breaks down the falsehoods behind Israel's stated pretext of attacking Gaza in the name of self-defense, concluding that the pretext is so flimsy given these falsehoods that Israel "doesn't even bother to pay-lip-service" to the idea of self-defense, instead openly admitting that it is a mere excuse to attack.

"The Petraeus Legacy: A Paramilitary CIA?," Jeremy Scahill
Scahill argues that far more troubling than departed CIA director David Petraeus' extramarital affair was his cultivation of a closer relationship between the CIA and the military's Joint Special Operations Command.  Petraeus' real legacy, he writes, is one of a CIA that has "strayed from intelligence to paramilitary-type activities."

"Stop pretending the US is an uninvolved, helpless party in the Israeli assault on Gaza," Glenn Greenwald
Greenwald rejects the narrative of the United States as innocent bystander in the current violence in the Gaza Strip, writing that the Obama Administration has proved itself an enabler in the conflict through its "financial, military, and diplomatic" support for Israel.

"Did Israel provoke rockets from Gaza to pressure Palestinians to back off UN bid?," Annie Robbins
Robbins of Mondoweiss argues that, given Israeli's history of aggression in Gaza, the timing of its recent assault on Gaza, and a number of reports from inside the Netanyahu government.

"In Cuba: Justice in Gitmo and Across the Fence," Kathleen Doty
Kathleen Doty of IntLawGrrls writes of Camp Justice at Guantanamo Bay and the military commission trials of alleged 9/11 accomplices held there, writing that the slow, "semi-secret," and untested nature of the trials leaves the degree to which they serve justice in doubt.

"Another Superfluous War," Uri Avnery
Avnery, a peace activist with Gush Shalom, writes in Counterpunch that Israel's recent attack in the Gaza Strip is unlikely to change Hamas' recent steady rise in political clout or advance the overall Palestinian conflict towards a long-term solution.  Avnery advocates instead for talks between Hamas and the Israeli government and the establishment of a long-term ceasefire.

"Damn right, George Bush should face criminal proceedings for waterboarding," Katherine Gallagher
Gallagher writes in The Guardian that countries such as Canada must investigate and prosecute former President George W. Bush and other members of his administration behind its policy of torture in Guantanamo Bay and various "black sites" if the UN convention against torture have any meaning. 


Blogs

"How Israel Shattered Gaza Truce Leading to Escalating Death and Tragedy: A Timeline," Ali Abunimah
Abunimah, writing for The Electronic Intifada, rejects both the narrative of Israel acting in self-defense and the narrative that it is impossible to know which side started the recent escalation in violence.  Abunimah presents a timeline of news reports on Israeli military actions and data on rocket fire from Gaza that reveals a calm and effective truce, shattered by Israel in their assassination of Ahmed al-Jabari.

"Refusing the Elections War," Sarah Anne Minkin
Minkin writes on The Daily Beast's Open Zion blog of four feminist groups in Israel who have placed a prominent ad in Haaretz noting their refusal of "war and the spilling of blood" and "the wave of hatred and incitement against the residents of Gaza."  The ad, Minkin notes, uses the plural feminine form of "refuse", allowing the groups to simultaneously protest the invasion and the hegemonic, patriarchal culture of the Israeli military.

"Appalled by the Assumptions of the Online 'Tell Me How This Ends' Game," Kevin Jon Heller
Heller criticizes a game created by the Truman National Security Project designed to simulate a President of the United States' options responding to an Iranian nuclear threat as unrealistic, requiring its players to reject additional diplomacy as well as "justified skepticism about Iran's intentions".  

"What if Powerful Palestinians Were Bombing Weak Israelis?," Stephen Walt
Walt attempts to illustrate the unjust nature of Israel's assault on the Gaza strip by describing the events behind it as if they had occurred against the backdrop of a hypothetical history in which the Palestinians won the Six-Day War, leaving a small enclave of Jewish citizens to remain in Gaza and the West Bank.  Walt concludes that not only would such a scenario remain unjust, but few Americans would support "Palestine" in this scenario acting as Israel has recently.  

"Israel Considers Any Palestinian Infrastructure That Can Be Connected to Hamas to Be ‘Terrorist,’" Kevin Gosztola
Writing for FireDogLake, Gosztola examines the Netanyahu government's assertion that Hamas "makes no distinction between its terrorist military machine and the government structure," writing that Israel uses this concept to justify bombing virtually any part of Gaza and killing almost anyone in the process of doing so; Gozstola discusses the legal implications of such a policy and the Goldstone Report's criticisms thereof.

Reports

"Afghanistan in 2012: Executive Summary," The Asia Foundation
The Asia Foundation presents the findings of a public opinion survey of Afghanistan, unprecedented in size.  Though many high-risk areas go admittedly potentially underrepresented, notable findings of the sample include the falling levels of sympathy for armed opposition groups and an apparent rise in confidence in the ability of the Afghan National Army and Afghan National Police to function without the assistance of foreign troops.

"Assessing Bahrain’s Implementation of the BICI Report," Project on Middle East Democracy
POMED revisits, a year after its release, the Bahrain Independent Commission of Inquiry's report and recommendations for the Bahraini government to take in order to curb human rights violations, torture, and undemocratic practices. POMED finds that the government has implemented three of the report's twenty-six recommendations, and none of the report's six recommendations deemed the "most important" steps.
 

Conferences

"Transnational Judicial Dialogue: Concept, Method, Extent and Effects;" 21-22 June 2013; Oslo, Norway; Respond to call for papers here.

"International Graduate Legal Research Conference 2013;" 8-9 April 2013; London, United Kingdom; Respond to call for papers here.


On Jadaliyya

"Colonial Experiments in Gaza," Samera Esmeir

"Mowing the Lawn in Gaza," Sinan Antoon

"Noura Erakat and Yousef Munayyer on Gaza Assault: Interview with MSNBC's Chris Hayes," Bassam Haddad

"The Politics of Trains", Pascale Ghazaleh, Hesham Sallam, Adel Iskandar, Mouin Rabbani, and Sherene Seikaly

"Dissecting IDF Propaganda: The Numbers Behind the Rocket Attacks," Phan Nguyen

"The “End of the Two-State Solution” Spells Apartheid and Ethnic Cleansing, not Binationalism and Peace," Toufic Haddad

"Bibi's First War," Mouin Rabbani

"Israeli Aggression in the Gaza Strip: In Pictures," Mouin Rabban and Michelle Woodward

"The One-State Solution and Rebuilding the Palestinian National Movement: An Interview with Awad Abdel Fattah (Part One)" and"(Part Two)," Jonathan Cook

"Two Steps Back: How HR 35 Fails to Protect California Students," Samantha Brotman and Ed Gaier

"The Agonies of Susan Rice: Gaza and the Negroponte Doctrine," Vijay Prashad

"Timeline: Israel's Latest Escalation in Gaza," Jadaliyya Reports

"Counting Calories and Making Lemonade in Gaza," Sherene Seikaly

"Conditions on Aid and the Politics of Development," Rena Zuabi

"Putting Palestine on the Map," Vijay Prashad

"Draft Resolution Requesting Palestine Upgrade from Observer Mission Status to Observer State Status," Jadaliyya Reports

"Palestinian Youth Statement from Lebanon," Jadaliyya Reports

"National Students for Justice in Palestine Conference Opposes “Normalizing” Israeli Human Rights Abuses," Amith Gupta

"New Texts Out Now: Norman Finkelstein, Knowing Too Much," Norman G. Finkelstein

عمودُ السّحاب يرتد على نتنياهو وحكومته

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حتى كتابة هذه السطور، ولليوم السادس على التوالي، يتواصل العدوان الإسرائيلي على غزة، ويستمر الصمود وإطلاق الصواريخ على تل أبيب والقدس ومناطق لم تصلها من قبل بالرغم من إعلان الحكومة الإسرائيليّة منذ اليوم الأول عن تصفيتها للبنية التحتيّة التي تجعل الفلسطينيين قادرين على إطلاق الصواريخ. في نفس الوقت تتواصل فيه الجهود المصريّة المدعومة أميركيًا وأوروبيًا وعربيًا من أجل التوصل إلى تهدئة، وبالرغم من أن جميع الاحتمالات مفتوحة؛ إلا أن مختلف الأطراف أبدت استعدادها للتوصل إلى تهدئة، وهذا يجعلها الاحتمال المرجح حتى الآن مع عدم استبعاد كلي لاحتمالات التصعيد.

قبل أن نتحدث عن تقييم مجمل العدوان الإسرائيلي، لا بد أولًا أن نشير إلى الأهداف الإسرائيليّة والفلسطينيّة حتى نستطيع الحكم على الطرف الذي سيخرج رابحًا والطرف الذي سيجر أذيال الهزيمة.

أرادت حكومة نتنياهو من العدوان ما يأتي:

أولًا. إعادة التزام الفلسطينيين بقواعد التهدئة التي تحققت بعد حرب الكوانين (2008 - 2009)، أي أن ترمم قوة الردع الإسرائيليّة التي تضررت من عودة الفلسطينيين إلى إطلاق الصواريخ بضوء أخضر من "حماس" أو عدم ممانعتها في البداية، ومن ثم بمشاركتها بإطلاقها فيما بعد. فقد احرِجت "حماس" من المعادلة التي تفرضها إسرائيل، وهي التزام "حماس" بالتهدئة وتحمل مسؤولياتها بصفتها السلطة القائمة على الفصائل الأخرى بمنعها من إطلاق الصواريخ، وإلا فستحاسب على ما يقوم به الآخرون. وأضافت إسرائيل شروطًا أخرى أثناء العدوان تتمثل في سحب سلاح المقاومة، ومنع تهريب السلاح إلى غزة، وتوفير ضمانات دوليّة لذلك.

ثانيًا. أرادت إسرائيل الاستفادة من حاجة النظام الجديد في مصر إلى التهدئة، وإلى أحسن العلاقات مع الإدارة الأميركيّة، لأن مصر في وضع سياسي واقتصادي وأمني حرج. فإسرائيل تريد أن تجس نبض الحكام الجدد في مصر، ورؤية إلى أي مدى سيذهبون لاسترضاء الإدارة الأميركيّة حتى يحصلوا على المساعدات والقروض الدوليّة، والأهم استمرار الاعتراف الأميركي بالحكام الجدد وجماعة الإخوان المسلمين، التي وصلت إلى الحكم في عدة بلدان، وقويّة في بلدان أخرى، لدرجة يمكن أن تصل إلى الحكم فيها أو في بعضها. وإذا أمكن، تريد إسرائيل أن تدفع الرئيس مرسي إلى رعاية وقف إطلاق نار جديد، وضمان الالتزام به على ذات القواعد السابقة، التي تفيد بأن ما يجوز لإسرائيل من حق في الاعتداءات والاغتيالات متى تشاء (حق المطاردة الساخنة الوارد في اتفاق أوسلو، التي تريد فرضه مرة أخرى على غزة) لا يجوز لغيرها.

ثالثًا. يريد نتنياهو بهذه الحرب أن تنقذه من أي غضب من أوباما في فترة رئاستة الثانية، لأنه أهانه أكثر من مرة أثناء فترة رئاسته الأولى، وانحاز لمنافسه رومني أثناء الحملة الانتخابيّة. ويبدو أن نتنياهو حقق ما أراد، ووجدنا الإدارة الأميركيّة تدافع عما وصفته بـ "حق إسرائيل في الدفاع عن نفسها"، وتمنع صدور قرار أو حتى بيان من مجلس الأمن يدين العداون الإسرائيلي، وتقدم مساعدات عسكريّة إضافيّة إلى إسرائيل لتطوير نظام القبة الحديديّة، وتعلن أنها ستؤيد أي قرار ستتخذه الحكومة الإسرائيليّة بتصعيد العدوان، مع أنها تفضل عدم الدخول في الحرب البريّة.

رابعًا. يريد نتنياهو فرض الأمن على أجندة الانتخابات المقبلة وزيادة فرصه بالفوز فيها، واستبعاد المواضيع الأخرى الاجتماعيّة والاقتصاديّة، لأنه حقق إنجازات ملموسة في الأمن.

خامسًا. هناك أهداف عسكريّة للعدوان، مثل تجريب الأسلحة الإسرائيليّة ومدى نجاعتها، خصوصًا نظام القبة الحديديّة، واستكشاف القدرات الفلسطينيّة والأسحلة الجديدة التي حصلت عليها. 

أما أهداف "حماس" فهي تتلخص في:

أولًا. تأكيد الحق الفلسطيني المشروع في الدفاع عن النفس في مواجهة الاعتداءات والاغتيالات والتوغلات الإسرائيليّة.ثانيًا. الحفاظ على الحق الفلسطيني في مقاومة الاحتلال. ثالثًا. محاولة فرض قواعد جديدة تقوم على الاتفاق على وقف إطلاق نار متبادل، وليس من طرف واحد، خصوصًا أن "حماس" تجد الوضع العربي، وتحديدًا المصري، تغير لصالحها دون أن تقطف ثمارًا جديدة تتناسب مع هذا التغير. فالحصار المفروض على غزة لا يزال جوهريًا على حاله بالرغم من بعض التحسن، وأميركا وأوروبا اعترفتا بالحكام الجدد في المنطقة، وبالرغم من ذلك لم تغيرا موقفهما من "حماس"، بل المطلوب من الحكام الجدد ترويض "حماس" حتى تُقبل كطرف شرعي فلسطيني، وإذا لم تقبل يبقى الحصار على حاله.

ما حدث أن إسرائيل التي صعدت الوضع باغتيال أحمد الجعبري، قائد "حماس" العسكري، و"حماس" هذه المرة لم تبلع الأمر، فهي تراهن على أن الوضع تغير ولن تسمحَ العربُ هذه المرة بالاستفراد بالفلسطينيين، "فمش كل مرة تسلم الجرة". ولكن على "حماس" ألا تبالغ في توقعاتها، فهناك تغير قد حدث، ولكنه لم يكن شاملًا، بدليل ردود الفعل العربيّة الرسميّة التي كانت رمزيّة وسياسيّة ولم تستخدم أوراق القوة السياسيّة والاقتصاديّة والعسكريّة، وأظهرت العرب مثل "النعاج" كما قال وزير الخارجيّة القطري بعظمة لسانه.

حتى غير المعجبين بقتال إسرائيل عبر الصواريخ نظرًا لعدم التكافؤ المطلق في القوة، وما يسببه ذلك من دمار ومعاناة للفسطينيين؛ اعترفوا بأن فصائل المقاومة الفلسطينيّة بشكل عام، و"حماس" والجهاد الإسلامي بشكل خاص، قد استفادوا من الحرب السابقة وحصلوا على أسلحة وخبرات جديدة ظهرت من خلال استهداف تل أبيب والقدس، بحيث أصبحت معظم مساحة إسرائيل، وليس الجنوب فقط، تحت مرمى الصواريخ الفلسطينيّة، وهذا يضرب نظريّة الردع الإسرائيليّة في الصميم. فهذه النظريّة تقوم على مبادئ، أهمها امتلاك زمام المبادرة من خلال: بدء الحرب وإنهائها بسرعة خاطفة، وبالوقت المناسب لإسرائيل، وإبقاء الجبهة الداخليّة بعيدة، والاحتفاظ بحق خرق أي اتفاق للتهدئة بأي وقت تراه دون أن يملك الطرف الفلسطيني نفس الحق.

إذا تم وقف إطلاق النار مع استمرار إطلاق الصواريخ على معظم إسرائيل حتى اللحظة الأخيرةـ، ولم يتم قبول شروط إسرائيل لوقف إطلاق نار جديد؛ فهذا يعني أن إسرائيل قد خسرت الحرب هذة المرة، لأنها بدأت فيها من أجل حماية جنوب إسرائيل من الصواريخ، وخرجت منها وإسرائيل كلها تقريبًا قد أصبحت تحت رحمة هذه الصواريخ.

وما يزيد من خسارة إسرائيل أن الفلسطينيين بالرغم من الانقسام كانوا موحدين ضد العدوان وليس مثل الحرب السابقة، فهناك صمود ومقاومة باسلة في غزة، وبوادر أوليّة لانتفاضة شعبيّة في الضفة، وتضامن شعبي فلسطيني شامل في جميع أماكن تواجد الشعب الفلسطيني داخل الوطن المحتل وخارجه. فشكرًا لحكومة نتنياهو التي وحدت الفلسطينيين ضدها في الحرب، ويمكن أن توحدهم بإنهاء الانقسام إذا التقطوا اللحظة المناسبة والمتمثلة بأن إسرائيل تحاربهم على كل الجبهات، ولا تميز مثل حكومة أولمرت السابقة، بين المعتدلين والمتطرفين، بين "فتح" و"حماس"، بين من يحاربها سياسيًّا وديبلوماسيًّا وبين من يحاربها عسكريًّا.

وهنا يأتي الدور المصري من خلال استغلال اللحظة الراهنة، وفرض الوحدة على الفلسطيينيين، ورفع الحصار عن غزة دون انتظار الإذن الأميركي والإسرائيلي، وإرسال رسالة واضحة بأن زمن أوّل حوّل. أما الاكتفاء بالإدانات والزيارات الرمزيّة لغزة والتسهيلات على معبر رفح، والتركيز على التهدئة؛ فلا تكفي لردع إسرائيل وجعلها تفكر مليون مرة قبل أن تفكر بمواصلة العدوان أو تصعيده.

هناك متغير حاسم حصل بعد الثورات والمتغيرات العربيّة، يتمثل في أن المواطن العربي أصبح يدرك أهميّة دوره وقدرته على التغيير، بحيث لم يعد الحاكم العربي الفرد قادرًا بقرار أن يقرر مصير بلد وأمة، فالشعب المصري يقف بالمرصاد ويضغط على النظام الجديد، لأن يثبت أن هناك نظام ما بعد الثورة وليس مجرد نسخة مطورة من نظام حسني مبارك. والمحك الموقف من القضيّة الفلسطينيّة، فلا يمكن بيعها أو إهمالها على مذبح البحث عن المصالح الفئويّة لحزب أو جماعة أو حكم، فلا يجب أن نكرر تجربة الحكام العسكريين والقوميين الذين لم يستطيعوا نصر فلسطين، لأنهم فضلوا التركيز على "الوحدة" أولًا، أو على تحقيق التوازن الإستراتيجي، أو - وهذا هو الصحيح- على مصلحة النظام والحزب على مصلحة الشعب والقضيّة القطريّة والقوميّة. على "حماس" و"فتح" أن تدركا أن لا طريق للخلاص الوطني أو حتى للاعتراف بـ"حماس" ولاستمرار دور "فتح" القيادي سوى الانضواء تحت مظلة الوحدة الوطنيّة على أساس وطني وديمقراطي وشراكة حقيقيّة بعيدًا عن التطرف والمغامرة والتخاذل والاستسلام.

[عن جريدة "السفير" اللبنانية]

Assiut, Qursaya, Mohamed Mahmoud: Making the Connections

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Mourning has seemed the order of the day in Egypt this week. Just as Egyptians prepared to remember and mourn the protesters who lost their lives at this time last year in the Battle of Mohamed Mahmoud, a train collision in Assiut killed fifty-one children, devastating the country.

At first glance, the deaths at Mohamed Mahmoud would appear to have little in common with those at Assiut. The protesters were killed by security forces as they demonstrated against the military regime then led by Field Marshal Hussein Tantawi and the Supreme Council of the Armed Forces. The children were killed as the bus they were riding was struck by a train at a railroad crossing — a catastrophe brought about by the negligence of transport officials.

But there is a profound unity to these incidents of obscene violence that Egyptians neglect at their peril. Although those immediately responsible for the violence appear to differ from case to case, there is an attitude that binds them together. This is an attitude that remained constant from the time of Mubarak through the rule of the SCAF, and persists to this day in the purported "second republic." It is an attitude that authorized the murder of the protesters and enabled the negligence behind the train catastrophe.

The attitude to which I refer is the sense, deeply ingrained in Egyptian governing elites past and present, that the vast majority of Egyptians are not fit to run their country — that they are mere chattel, unworthy of a meaningful say in their own affairs. The attitude sounds distinctly colonial. And notwithstanding the fact that this arrogance of power now drips from the lips of an Islamist rather than a British agent, precious little has changed about the implications. Fundamentally, in the eyes of their rulers, Egyptians remain subjects rather than citizens.

One cannot but ask how much has changed over the past sixty years when Egyptians are still lectured about the virtues of a "technocratic" Cabinet — a Cabinet whose purported technical wisdom will deliver Egypt from whatever the latest crisis happens to be. And what have these technocrats delivered lately? While Egyptians are harassed about wearing warm clothing, huddling together, and taking to bed early to resolve the country’s energy crisis, the technocrats cannot resolve perhaps the most basic threat to Egyptians’ security:  the utterly perilous state of Egypt’s transport system.

Indeed, only one day after the Assiut catastrophe, seventeen Egyptians were killed in a road accident in 6th of October City — on the very day, 18 November, that the United Nations had proclaimed the Day of Remembrance for Road Traffic Victims. Such tragedies have now become so common in Egypt that they seem scarcely shocking. One wonders whether the Assiut catastrophe would have attracted so much attention had children not figured so prominently among the victims.

Yet in the face of successive tragedies testifying to the persistent arrogance of Egypt’s rulers, I am heartened by the courage of the inhabitants of Qursaya. On 18 November, they stood fast against the military’s claim to their island and protested the attempted seizure of their lands by blockading streets in Giza.

Morsy, the military, Mubarak — they all claimed to know what was best for Egyptians. But in Qursaya where they fought for their homes, in Assiut where they ridiculed the prime minister, and in Mohamed Mahmoud where they confronted the brutality and sadism of the police, Egyptians struck back against such arrogance. And in the face of all the setbacks, all the tragedies, and all the violence that has afflicted Egypt since the revolution, it is this indomitable courage to strike back against the arrogance of power that gives me hope.

The revolution continues.

 

[This article originally appeared in Egypt Independent.]

Out of Sight, but Not out of Mind: Mohamed Mahmoud Remembered

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On 19 November 2011, all hell broke loose in Mohamed Mahmoud Street, which juts east from Tahrir Square.

Security forces brutally dispersed a sit-in of about two hundred relatives of those injured or killed during the revolution earlier that year, along with their supporters, to demand greater state support. As the news spread, the contempt and violence with which the sit-in was treated seemed to represent the then-ruling military council’s attitude toward the aspirations of the revolution.

Once again, masses spilled into Tahrir. Protesters began to make their way down Mohamed Mahmoud Street toward the Interior Ministry, which commands the security forces. The clashes continued for five days and nights, with some fighting until they could no longer stand, from tear gas or exhaustion. Dozens lost eyes to the shotguns of the Central Security Forces. Meanwhile, soldiers stood nonchalantly on the sidelines, to the south of the street.

Eventually, the clashes ended due to the exhaustion, the construction of a concrete wall, and the human chains of civilians helping protesters out of Mohamed Mahmoud Street. Field Marshal Hussein Tantawi, then head of the Supreme Council of the Armed Forces, announced a raft of what were presented as concessions — including bringing forward, once more, the presidential election. But, in truth, that is not what the dead and blinded had been asking for.

The Mohamed Mahmoud clashes punctuated Egypt’s post-revolutionary politics. Some of the activists who were involved in the clashes have since found ways to adapt the initiatives that crystallized during those five days into forms of revolutionary politics that continue to this day.

For others, the memories are a source of pain, but also a reminder of a feeling of possibility they have not felt since. As activist Yara al-Sayes puts it, the overall feeling is “bittersweet.”

The front line: Mahmoud Zaghloul, twenty-two, engineering student

On the morning of 19 November 2011, Mahmoud Zaghloul was just about to head home, tired from spending the night at a sit-in staged by the revolution’s wounded in front of the Mugamma government building, which overlooks Tahrir Square.

He then received a panicked phone call telling him the sit-in was being attacked. Infuriated, he immediately turned back and joined the ranks of activists who arrived quickly on the scene to defend the wounded.

“They were attacking people who could hardly walk, or who had lost an eye” during the 25 January Revolution, he says.

Over the next four days, the deep sense of rage Zaghloul and his fellow protesters felt sustained them throughout the seemingly endless fight. It was evoked, he says, by the “sheer brutality” shown by the police and army against protesters.

Soon after the clashes erupted, Zaghloul was struck in the chest by a round of shotgun pellets, or khartoush. His close friend, activist Malek Mostafa, collapsed next to him.

“When he looked up, blood was coming out of his eye,” he says. Mostafa was among dozens of protesters struck in the eye during the clashes. He lost sight in his right eye.

Their friend Ahmed Harara lost sight in his second eye during the Mohamed Mahmoud clashes, after losing the first during the eighteen-day revolt.

“When something like that happens, you cry a little and then you move on. There is no space for grief in your heart during the battle — anger takes over. If you let grief take over, you can’t move on. It kicks in after the fight, when you realize you are hurt, and you lost friends,” Zaghloul says.

On the last day of the clashes, with the death toll rising rapidly, Zaghloul was one of many who felt it was a duty to go to the morgue and identify the victims.

“The bodies had abnormal colors and were covered in black spots from the tear gas,” he says.

Witnessing death and severe injuries, often of close friends, “kills something inside you” and elicits a yearning for “revenge.”

At the time, the protest turned into a street battle with the Interior Ministry’s Central Security Forces, with protesters adamant on not being the first to back down. The protesters galvanized support from non-politicized forces and against the ruling military council on a scale not seen in the months before.

“Mohamed Mahmoud was a reminder, although a cruel one, that the revolution is still alive. It mobilized hundreds of thousands, without the hand of political parties,” Zaghloul says of the bittersweet return of mass street protests against what many felt was an ousted regime still intact.

At the time, the established political groups were absent, save for attempts to enforce a kind of ceasefire, which protesters saw as a sign of weakness and meant to serve the purpose of parties running in the upcoming parliamentary elections.

Zaghloul says this confirmed what he believed previously.

“None of them showed up. The Muslim Brotherhood formed a human shield to end [the fighting] and beat whoever tried to cross because they were going to win in the elections the next day.

“The language of the street is ‘I am hungry,’ and the entire [political] spectrum doesn’t speak it. They seek electoral gain and are instead talking to the people about the constitution,” he says.

A year on, Zaghloul says people are increasingly aware of the real face of “the oppressive institutions,” referring to the Interior Ministry, the army and the government.

The hope he felt strongly in the heat of the battle, therefore, remains.

“It was indescribable,” he says. “Your hope is renewed thirty to forty times per battle; every time we drove the police back, it felt like a victory.”

Video: Lobna Darwish, twenty-six, Mosireen

When the clashes started, Lobna Darwish, a member of the Mosireen media collective, set out with a camera to document police violations.

“After the Maspero massacre we realized that we had no footage, no evidence. Mainstream media often ignore or downplay these events, but now we were prepared,” Darwish says. Twenty-seven civilians died in the massacre, which took place the month before, and many had been killed by soldiers.

Darwish was awestruck at the contempt for human life she recorded on film. The Interior Ministry was seeking to reestablish its authority, she says, causing the unprecedented ruthlessness of the police.

“This was their comeback,” she says.

It was also a comeback for the politics of the street.

“After the initial eighteen days [of the revolution], politics became a talk show; experts were talking about a transitional process. The street, in the meantime, was left on the sidelines.

“But let’s not romanticize things. There were lakes of blood and we felt extreme pain and sadness over the loss of our friends,” she points out. Nonetheless, she continues, “We felt a sense of pride that something was happening.”

The Mosireen collective operated out of a flat overlooking Tahrir, loaned to them by a friend. Activists would stagger in, blinking and wheezing from the tear gas, and upload footage from an SLR camera to a cluster of laptops.

Activists snatched a few hours of sleep when they could, huddled in a corner. Several were injured. As the clashes drew to a close, two were beaten by men they believed to be Muslim Brotherhood activists, who were attempting to form a line between the clashes and the square.

Mosireen activists have been present at most major clashes since then. But there aren’t so many clashes anymore, and the activists are using video to record day-to-day struggles — over health, housing, education and work — in a country that hasn’t changed as much as they, and many others, wanted it to.

The collective recently completed a US$40,000 fundraising drive, overwhelmingly based on small donations. The funding will allow them to continue to operate for the year ahead. One of their projects is to run video-activist trainings outside Cairo, in an effort to make video an accessible revolutionary language.

“Looking at the footage and the pictures of those who died,” Darwish says, “it is obvious who carries the revolution. It is the poor who have been bullied by the police for years, and thus fought fearlessly and sacrificed everything.”

Logistics: Yara al-Sayes, twenty-four, Tahrir Supplies

“The Mohamed Mahmoud clashes were the most bittersweet experience of my life,” says Yara al-Sayes. “Mohamed Mahmoud killed a part in all of us because of the brutality from the police, and how insignificant human life is to them.”

At the same time, Sayes was touched by the amount of solidarity the Mohamed Mahmoud clashes elicited.

“People looked past political differences and showed massive solidarity for humanitarian reasons. At some point, this tweet came in asking people to stop donating, because the field hospitals were over-equipped,” she says.

The many makeshift field hospitals were suffering from a misallocation of donated supplies in the beginning of the clashes. While some field hospitals were over-equipped, others were short on supplies.

This is why Sayes volunteered to take shifts scanning the Twitter feed on what was needed, and coordinated the donated blankets, medicine, gas masks and beds with the doctors on the ground.

“It contributed in the sense that people now knew how they could help best,” she says.

Nevertheless, Sayes still struggles with a sense of guilt.

“I will never forgive myself for not being there in person. People were telling me I did something important, but I was hiding behind my computer screen. In the meantime, I could hear the fear in the doctors’ voices and people were dying,” she says.

The memory of Mohamed Mahmoud seems to stir up a confused mix of grief, anxiety, and hope in Sayes.

“All the different stories of martyrs, who did not deserve to be killed, made many more involved. People are still fighting, but we cannot lose more people. If this happens every time we protest, then what’s the point? I’m worried sick that more people will die with the commemoration of the clashes next week,” she says.

Field hospitals: Mohamed Esmat Farag, thirty-nine, Tahrir Doctors Society

During the clashes, more than ten makeshift field hospitals were operated by doctors and medical students who waited for the improvised motorcycle “ambulances” to deliver the wounded. The volunteers treated any injury they could on the spot — ranging from gun wounds to tear gas suffocation.

Some of these were organized by the Tahrir Doctors Society, whose media coordinator, Mohamed Esmat Farag, was present during most of the clashes, documenting injuries and coordinating the allocation of doctors and supplies.

When Esmat Farag and his colleagues set up the field hospital at the Mugamma building, the wounded slowly started coming in.

“It was not too bad in the beginning, but the injuries got worse, and we soon started to see people whose eyes were targeted with khartoush rounds. The doctors would tell me to note down in the record that people lost their sight,” he said.

Esmat Farag remembers suffocating when tear gas canisters started reaching the Mugamma: “We had to run away, take a breath, and run back for the medical supplies and the blankets. Otherwise, we would lose them to the military and the police.”

Like many others, he expresses outrage over the unprecedented brutality shown by the police.

“It was a massacre in the true sense of the word, on the humanitarian level as well as on the legal level, with all the military trials that followed,” he says, but notes that it “revived the revolution” nonetheless.

The latter is so, Esmat Farag explains, in the sense that it revealed people’s ability to spontaneously organize themselves and push back against attacks from the police and the army.

Besides, he says, “the Egyptian people showed incredible solidarity; after the clashes, we had LE5 million in excess of supplies.”

The Tahrir Doctors Society is a respected one, Esmat Farag says, because it is not ideologically affiliated. Besides reacting to emergency situations like Mohamed Mahmoud, the society now engages in healthcare provision in “areas that have no access to adequate healthcare, like Zerzara in the north, or Halayeb on the Sudanese border,” in addition to “advocacy and monitoring Egyptian health institutions on neglect and corruption.”

After the Abbasseya clashes, he says, the group cooperated with Al-Nadeem Center for Rehabilitation of Victims of Violence, the Egyptian Initiative for Personal Rights, and the Hisham Mubarak Law Center, and pressured military judges to grant access to Tora prison, where the doctors visited the prisoners.

 

[This article originally appeared in Egypt Independent.]

Mohamed Mahmoud Clashes, One Year on: "A Battle for Dignity"

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Since the eruption of last year's January 25 Revolution, Egyptians have lived through anxious nights filled with fear and violence. But nothing has been more painful than the four days of clashes in November of last year on Cairo's now-iconic Mohamed Mahmoud Street.

"The battle of Mohamed Mahmoud was not over power, it was a battle for dignity," activist Nazli Hussein said.

The story began when security forces attacked a sit-in in Cairo's nearby Tahrir Square on the morning of 19 November. The sit-in had been organized to demand that Egypt's then-ruling Supreme Council of Armed Forces (SCAF) relinquish power to a civilian authority.

Many of those in the sit-in were relatives of people killed during the eighteen-day Tahrir Square uprising some nine months earlier, along with a number of injured and a handful of political activists.

Fierce clashes

Protesters and doctors who participated described the clashes that followed as the “most brutal" since the 25 January uprising, ultimately leaving forty-seven killed and thousands injured. On- and off-street battles between protesters and security forces, the latter of which included police and army personnel, dragged on for four days.

"It wasn't an attempt to merely disperse demonstrators, it was systematic revenge; the intentional injury of protesters," Dr. Yehia Salah El-Din, an eye doctor at Cairo's Qasr Al-Eini Hospital, told Ahram Online.

Salah El-Din, who took part in several protests in the wake of the revolution, recalls that the majority of those whom he treated at the time had sustained injuries to their eyes or faces, which is very traumatic and requires considerably psychological rehabilitation.

The protesters who fell during the clashes, which erupted following a Friday Tahrir Square rally, included photographers, journalists, activists, doctors, engineers, and students – even, in some cases, the homeless.

"The real heroes were the poor, whom many of us had been brought up to fear," Mohamed Mahmoud protester Ashraf Ahmed said.

Generally speaking, most of the protesters who faced off with security forces were Egyptian youth, ready to sacrifice their lives for a better Egypt.

"My brother was killed on 28 January, at the height of the revolution," seventeen year-old protester Ayman Salah told Ahram Online. "But the revolution obviously wasn't enough, so I joined the Mohamed Mahmoud clashes to say 'enough to treating us like private property."

The level of violence used by security forces – who used teargas and live ammunition to disperse protesters armed only with stones and Molotov cocktails – enraged many Egyptians. At one point, a video appeared online showing military personnel throwing the prone body of one protester onto a garbage heap, further infuriating public opinion.

At one point, the teargas became so thick that local residents complained about it to the authorities. A number of protesters later complained of severe physical side effects resulting from the toxic gasses encountered.

Political implications

The Mohamed Mahmoud clashes also deeply impacted public perceptions of both the then-ruling SCAF and the political parties who refrained from taking part in the skirmishes.

"While people were risking their lives, the political elites were busy campaigning for upcoming elections," political analyst Hesham Sallam told Ahram Online. "The Muslim Brotherhood was a case in point."

The Muslim Brotherhood and its newly established Freedom and Justice Party came in for particular criticism for their strategic decision not to take part in the ongoing fighting. Rather, they focused largely on Egypt's first post-Mubarak parliamentary elections, slated to kick off on 28 November.  

Although the Brotherhood had participated in the 18 November Tahrir Square rally (held to protest the SCAF-appointed government's proposals for "supra-constitutional principles"), it refrained from joining the clashes on Mohamed Mahmoud Street.

According to Sallam, the group feared that mounting violence and chaos in downtown Cairo could lead to the postponement – or downright cancelation – of the scheduled parliamentary polls, in which the group hoped to achieve substantial electoral gains.

A turning point

Despite these political considerations, however, and despite the mounting death toll, protesters continued to pour onto Mohamed Mahmoud Street. One year later, many of those who took part in the clashes say the experience changed their lives forever – along with Egypt's political trajectory.

"The experience changed my views about many things," Hussein told Ahram Online. "The clashes, which marked the first time for thousands of Tahrir Square protesters to chant against military rule, showed us that power is actually in the hands of the people."

The clashes, which led to numerous subsequent marches and rallies against military rule, ultimately forced the SCAF to provide a formal timetable for relinquishing political power. And in June of this year – following free parliamentary polls – the military council formally handed executive power over to Mohamed Morsi, the Muslim Brotherhood's presidential candidate.

"Without the Mohamed Mahmoud protests, the SCAF might have remained in power for two or three more years," Sallam asserted.

Meanwhile, some 378 Egyptians arrested during last year's clashes were finally granted amnesty on Saturday, 17 November. Only one person arrested during the clashes, who authorities accuse of being a drug dealer, remains in custody today.

Egyptian political parties are now calling for rallies to mark the Mohamed Mahmoud clashes' one-year anniversary. Dubbed "eyes freedom," the events will commemorate the many protesters who lost their eyes – or worse, their lives – in the four days of street fighting that forever changed Egypt.

 

[Developed in partnership with Ahram Online.]

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